A Study Of Fu Shan 'S Poetic And Literary Criticism

It is of great significance and value to interpret the historical changes in the late Ming and early Qing dynasties and the phenomenon of the survivors.Fu Shan as a representative of the remnant groups,and its identity and identity conversion is particularly typical,and these and directly affect the Fu Shan's poetic criticism of the concept and rhetoric.This article starts from the identity of Fushan's scribes,emphasizing the fugitive interest and celebrity style of the literati Fu Shan,and highlights the criticism discourse which seems to be difficult to solicit under the influence of the minds of the diaspora in order to get closer to the real world of Fushan.The introduction part mainly expounds the origin of the thesis and the current research situation of the north school,represented by Fu Shan,and reveals the particularity of Fu Shan as the literati scholar,and the difference between his scribe flavor and heresy temperament and traditional obedience research object,And thus affect the achievements of his poetry criticism theory.The first chapter begins with the overall academic ecology of the late Ming Dynasty,focusing on the late Ming Dynasty to the specific social background and the psychology of the times,and to explore the late Ming trend of the odds of the wind and the subsequent The inheritance of the literary tradition and the rush of the rhetoric of the harsh political ecology in the early Qing Dynasty.At the same time,from the inner point of literature research,we focus on grasping the consistency of aesthetic background after Fu Shan's criticism of rhetoric,that is,what kind of times and regionalities such as "humble" significance.In addition,this article will be through a series of literature interpretation,efforts to reveal and restore a contradictor Fu Shan.The most obvious feature of this Fu Shan is through the crack system of discourse to build rhetoric,dating true nature of the absurd said,absurd words,no cliff in the speech.Do not reveal this Fu Shan,is not enough to show Fu Shan,as well as Fu Shan as the representative of the whole people of the group.The second chapter tries to grasp the concept of the whole article of the minority groups,and on the basis of Fu Shan's criticism of poetry criticism.The literati scholar was generally inclined to return the classical value of the text to the carrier,The creation of the article raised to the height of the great ups and downs,and the particularity of the times-the transformation of the academic spirit of the world's thinking and makes it show compatible with the tyrannical gas,so when the group is often committed to the literati and writers The text of the analysis,showing the empty side,the Church veranda wide for the learn qi to.Particularly noteworthy is that the difficulty of identity integration at this time makes them frequently into the embarrassing situation of identity confirmation,so generally show a hostility,which directly affects its criticism rhetoric often show contradictions and paradoxical.This kind of Zhangzhe behind is the vivid manifestation of the minds of the remnant groups.The third chapter elaborates Fu Shan's poetic criticism.The poetic criticism and criticism of the poems show consistent characteristics,that is,the character of the true nature of the coherence throughout,thus Fu Shan heart to the land "Wen Fu",showing the Wei and Jin dynasties literary consciousness of the re-love criticism of the traditional Continued and "specifically to their own heart to make the truth" and almost entirely late Ming style,Taizhou style.As the unity of the subjective poet and the objective poet,Fu Shan 's poetic criticism emphasizes the emotional combination with the outside of the touch.On the poetic law,he proposed "law and law can not",not only stressed that Dafa is not private,the root is not stolen,but also on the law of selfish solid vulgar style of retro expression of the strongest disdain to show the sound of self-Secret for the school temperament.The fourth chapter analyzes Fu Shan's article concept.This chapter begins with the essay of Fu Shan's essay,which is about how to deepen the cultural environment in the early Qing Dynasty.The subversion of the usual aesthetic habit and the expression of the text in the embodiment of Fu Shan in the embodiment of Fu Shan profound state of mind while showing their aesthetic value of classical articles seriously.Correspondingly,because of his identity,the preservation of the old state of the literature makes him give the creation of the article with greater significance,the existence of my family is he never compromise the idea of the extreme,the text here Straightforward Fu Shan lifelong Dafa allegations.On the basis of a series of criticisms and rhetoric of Fu Shan,the author argues that the poetic concept of Qiwen in the early Qing Dynasty,And then explore the very magical that is extremely modesty of the ancient philosophical proposition contained in the article on the style of the wind to explain the meaning of practice.