The Study Of Dual Narrative Time And Space In Apichatpong Weerasethakul’s Films

Apichatpong Weerasethakul,who is a specific pioneer film maker during the new tide of Thai film.Local culture is the foundation of his and many other new-tide directors,however,the difference is that Apichatpong focus on the new possibility of film narrative,which is acted counter to the commercial local categorized films.Since his film Uncle Boonmee Who Can Recall His Past Lives won the Golden Palm Award,moviedom draw more attention to the Thai art films which are full of northern mysterious,and,realize the multivariate narrative possibility based on the northern culture.His works abandon the ordinary narrative,fluency editing and many other established skills,instead of philosophic long lens,break conventional space-time structure,weakening plot is his main style.His experimental Mirror language is full of oriental appeals,poeticizing,philosophical implications.The duality of time-space narrative in Apichatpong’s films is Obviously.The contrast of duality in Apichatpong ’s films reveal the relationship between reality time-space and psychological time-space by separating a film for independent two parts;or shows meditate of personal existence by using mantle layer time-space;or combine reality space-time and weird space-time in long lens,reflect unique Thai culture.He is skilled in using image to build the static and flow of time.Develop the limbemess of time and space in films.His view of space and times manifest the philosophy and wisdom of an orient Buddhism country.