A Study Of Taiwan Pili Glove Puppetry's Cultural Implications

Taiwan Pili glove puppetry,emerge from the womb of the traditional puppet show in China's southern Fujian,Taiwan.It is a new and unique art form,which integration of traditional opera art,folk culture,film and television technology.With the unique way of acting and splendid story,"Pili" attracted a large number of young viewers,and won a number of awards.Thus it can be seen,Pili glove puppetry has a certain research value today.The study of Pili glove puppetry,Taking cultural connotation as research direction,discusses in three aspects.The first part of the introduction describes the purpose and significance of this study,analyzed the present situation of the research on the Pili glove puppetry,briefly introduced the relevant situation of "Pili".The text discusses the concept of Confucianism,Taoism and Buddhism,contradictory view of women,and three cultural complex.First of all,the paper combined with the content of the story,analyzes the Confucian,Taoist and Buddhist ideas contained in Pili glove puppetry,and the absorption and inheritance in the traditional culture of Pili glove puppetry.Secondly,take the female characters as an object,discussed the contradictory view of women,pointed out the affirmation of gender equality consciousness and the praise of female beauty,and explained the negative influence of patriarchal ideology in the play.Finally,the paper analyzed three kinds of complex,that is,the hero complex,the love complex and the hermit complex,and the performance of these common aesthetic habits and values.Through the study of the cultural connotation of the Pili glove puppetry,thinking of Chinese traditional culture inheritance and development in Pili glove puppetry,and the reason why the "Pili glove puppetry" is loved by the audience.It is hoped that the study of "Pili" can provide inspiration for the inheritance and innovation of the puppet opera and other folk art.