The importance of Chinese meticulous flower and bird painting in the history of painting is self-evident.Decorative paintings display for the first time in the Yang Shao culture.There are many pottery symbol decorations,such as fish pots,deer pots;ritual ferocious decorative Bronze and the lead souls to the heaven painting on silk decoration of the Warring States period.The five generations of flower and bird paintings dominate.A painting program,developed with independent attitude in Chinese painting.Today,the meticulous flower and bird painting shows the new era of contemporary.The application of decorative language not only runs through it,but also plays an irreplaceable role.To the young learners of the painting creation stage,in the postgraduate study period,art aesthetics and contemporary Chinese painters make full use of the "decorative language" expression of contemporary artists with great personality more and more.Their works are full of visual performance and visual,and have been widely recognized.Some contemporary young artists express "the most incisive subjective emotions” with the theme of decorative language expressions.This is certainly a kind of artistic innovation,the performance of the art of prosperity,but they also need to moderate to prevent the missing of traditional essence.Therefore,how to combine tradition and innovation and keep them in line with the contemporary aesthetic and how to make the meticulous flowers and birds to reach a new height are all the problems we should think about.This paper is divided into four chapters.The first chapter summarizes the connotation of decorative and decorative language.The second chapter discusses the time and space.In time,I will talk from ancient times to the present,from the ancient totem to the Tang and Song Dynasties,and then to the new fine brushwork painting.In space,I will talk about the color,composition,line modeling,performance objects,texture of the application of narrative analysis of the decorative language of the "new" features.The third chapter analyzes the influence of the traditional fine brush flower and bird inheritance,the foreign art fusion,the social environment background,and so on.The fourth chapter returns to the practice and development of the contemporary fine brushwork flower and bird decoration.How to grasp the decorative language in the past and innovation has become the contemporary young artists and the learners’ mission.In this paper,I will use graphic method of comparison,the comparison of ancient and modern paintings illustrate the list of contemporary works of outstanding artists,such as Jiang HongWei,Su BaiJun,Lin Ruo Xi and other artists.I will combine my practice in the three years with the collection of effective information in practice and state out my own points of view and go on explorations.Finally,I will show my questions and think them over,and then summarize the purpose of writing this paper. |