An Analysis Of The "new" Features In The Decorative Language Of Contemporary Chinese Meticulous Flower And Bird Painting

As one of the important ways and means of learning and writing in China.sketch has been highly valued by many artists in recent years and become one of the forms which can express natural beauty.The landscape painters of the past dynasties also attached great importance to the in-depth natural life,and made a long-term observation of painting record,only from the literature that book-phrase did not refer to the word " painting ",but " study nature" and " follow own feeling" were repeatedly advocated.The " study nature" is the nature," follow own feeling" became the core of its creation.The contemporary Chinese culture gives the new definition of painting,the ancient painting is full of emotion when facing the scene and focus on understanding.From the natural landscape painting language,pay attention to the state of the state,in-depth characterization,constantly enrich and improve the use of image thinking in painting,to create the landscape works to express feelings and understanding,the viewers to achieve resonance.Therefore,the importance of the emotion between the pen and ink painting in the painting has become a topic of the artists.this is the argument of this paper,to explore the relationship between pen and ink and emotion in landscape painting has a certain significance.This paper will focus on the importance of the emotional elements in the Chinese landscape painting.The first chapter summarizes the landscape painting and emotion,respectively discusses that painting is an important way of emotional expression and development of pen and ink,and the development of landscape painting.The second chapter discusses the expression of painting in landscape painting,will analyze the language of traditional and contemporary,and develop the new language based on the excellent traditional pen and ink.The third chapter analyzes the importance of the emotional in landscape painting from three aspects,first natural mountains themselves have emotional characteristics,followed by the objective rocks and personal desire to collide the feelings,and finally sublimation of emotional expression.The fourth chapter summarizes the enlightenment of pen and ink and emotion to landscape painting.According to this to the Chinese landscape painting to give new meaning.At the same time,this remind self to learn a new direction in the future.In the succession of tradition on the basis of continuous innovation.