A Research Of Lishan's Ink And Wash

Li Shan is the leader of 'Eight Eccentrics Of Yangzhou' in the Mid-Qing Dynasty.He painted freehand flowers and birds are able to landscape,of which the most exquisite flowers and birds to the number of freehand brushwork.Not only that he was a versatile versatile painter,in poetry,calligraphy and even folk Taoist temperament is also quite accomplished.Shi Tao once said:"ink when with the times",and this spirit and the times in Li Shan's paintings are reflected.He paid great attention to mastering,inherit the tradition and win the public at the same time the courage to break through and at the same time good at innovation,the style gradually matures after many changes.Li Shan's breakthrough and innovation is reflected in his not only expanded the subject of flowers and birds painting and refresh the flower and bird painting conception,all the flowers,insects,vegetables,fruits have been one of its intake,and even the kettle,bamboo basket,palm fan,coal stove in the ordinary things in the eyes of Li Li are rich emotional two extremely vivid.In the selection of aspects of Li Shan changed the traditional without the constraints of the traditional constraints,he will look to life in every comer of the details.In addition to composition and inscriptions on the screen are eclectic,the painting interesting,majestic.Li Shan's painting of flowers and birds inherited the rigor of the work of the imperial court in the Song Dynasty and the simplicity of the paintings by the literati of the Yuan Dynasty,On the basis of this,he absorbed the spirit of the literati painting,which embodied the technique of painting and writing and the personality of the Ming dynasty.In turn,Chen Chun's paintings of small freehand brushwork and Yun Nantian's fusion of bone painting.In the painting,Li Shan apart from the emphasis on tradition,integration of the director of the painter,but also creatively cater to the people in Yangzhou timely and aesthetic value and orientation.So in his paintings not only reflects the elegant feelings of traditional literati and the painter of life.Coupled with the love of life and the keen observation of nature,created his "vertical and horizontal gallop,do not rope the ink,and the more interesting nature of the art",Coupled with the screen and poetry,calligraphy,seal the clever integration,complement each other,but also to create a far-sighted potential,near to see a quality,vulgar in the elegant,refined and popular art atmosphere.With his unique painting art and legendary and bumpy life,Li Shan's earliest fame in "Yangzhou Eight Eccentrics",his painting not only had profound influence on the other artists in the Eight Eccentrics,but also directly or indirectly affect the artistic creation of the later masters such as Zhao Zhiqian,Xu Gu,Wu Changshuo and the modern painters Qi Baishi and Pan Tianshou.This paper is divided into four parts.The first part mainly introduces Li's life and his painting master.Through analyzing Li's representative works in different periods,he has a clear understanding of his painting style.The second part is the focus of the full text,through the further analysis of the horizontal and vertical comparison of the representative works of Li Shan.He's ink and ink,so as to have more comprehensive and profound artistic features of his brushwork,color,theme,Cognition,thus more fully affirmed the artistic value of Li Shan.The third part mainly explores the reasons of its style from different angles.The fourth part mainly compares the representative works with the paintings of the same period and the descendants,and sums up the far-reaching influence of their artistic value.