An Analysis Of The Self-consciousness In The Landscape Of Huang Qiuyuan ’s "lushan Mountain"

An excellent landscape painting,which contains the artist’s unique perception of the natural mountains and rivers,and the painting itself is the painter’s own psychological activities reflect and refraction,it contains the artist’s aesthetic of the natural object and from the cognitive to complete the creation of the psychological activity.The painter plays an important and important role in the process of painting comprehension.It can filter,screen and sort the painter’s cognition of all the factors in the outside world,and make it a coherent and comprehensive understanding.Own unique painting language system.Through the intensive study and research on the academic achievements of scholars in the past,and the further analysis and analysis of the landscape pattern of the "Lushan" series in Huangqiuyuan,we hope that we can clearly show you the context and method of self-study painting,and hope that we can Painting the road to do a substantive navigation.Based on the "Lushan" series of landscape patterns created by Huang Qiuyuan in 1969,this paper analyzes the pattern of self-consciousness and the self-consciousness of Huang Qiuyuan ’s creation of this series of works.Which aims to find out the inspiration from Huang Qiuyuan ’s self-consciousness analysis and how to form self-schema and self-writing language,and how to inherit the spiritual value of traditional painting.The full text consists of six parts: introduction,body four chapters and conclusion.The introduction is based on the overview of the topic and the current situation of the research at home and abroad,the purpose of the meaning and the research approach,the method of four sections,mainly discusses the feasibility of this topic research and research significance.The first chapter of the text tells the story of Huang Qiuyuan’s "discovery",introduced Huang Qiuyuan life and the early twentieth century to the late eighties Chinese painting.In the traditional Chinese painting as the cause of decline,coupled with the impact of Western cultural and artistic reasons,the domestic scholars on the fate of Chinese painting anotherissue of the debate kicked off,this time the Chinese painting an urgent need to use the traditional force of the painter to prove Traditional painting still has a sustainable and powerful vitality.The second chapter takes Huangqiuyuan as the representative of the Lushan series of landscape styles in the pen and ink style.Firstly,it explains the origin of the Lushan series schema and the historical background of the ancient painters with Lushan as the theme,and further analyzes the landscape pattern of the Huangshanyuan Lushan Mountain series Formation,from the beginning of this study,cognitive,intermediation,since the formation of self-awareness of the importance of self-awareness issues.In the third chapter of the thesis,the author analyzes and analyzes the landscape pattern of the Lushan Mountain series from the realm of the picture,the layout and the pen and ink.Through the construction of these realms,the unique arrangement of the layout and the individuality of the pen and ink to analyze Huang Qiuyuan This series of works in the specific performance of self-consciousness.On the contrary,through this series of self-awareness,self-regulation and self-use of the guidance and summed up,and then once again to guide the creation of this creative way of guiding significance of the author’s creation has a very profound impact,The four chapters of the study of the significance of this topic from the self-pattern appearance of the revelation and self-writing language to create the two aspects of the revelation.