On The Aesthetic Orientation Of Contemporary Ink And Wash Paintings

With the intensification of the process of socialist modernization,urbanization and modernization since the reform and opening up,the change of the national material and the living standard has improved the social environment.It tries to point out that the aesthetic concept of contemporary ink painting painter The orientation has changed greatly compared with that before,and it tries to analyze the concrete presentation of the change of the aesthetic concept orientation of the ink painting figure in the contemporary cultural context.It is pointed out that the concrete appearance of contemporary ink painting artist's aesthetic concept is mainly reflected in the transformation from one dollar to pluralism,functional transformation,plane return,form,and so on.The strengthening of the composition and the development of new visual dimensions.In this paper,the author discusses the influence of the Xu Jiang system founded by Xu Beihong and the creation of the Xu Jiang system on the later painters,the changes in the artistic function in the social changes,the use of the plane to deal with the artists in the image surplus,and the aesthetic new dimension Explain.And put forward the attitude towards the future of the Chinese ink and wash figure,the influence of the Xu Jiang system and the attitude towards the western aesthetic concept.It is pointed out that each era has its own specific cultural context,contemporary ink painting painter The aesthetic concept of convergence and rebellious place.Finally,through the "for the contemporary and contemporary" phenomenon,the current phenomenon of some aesthetic follow the trend of reflection,that "times" works are not through the painter real life activities of the refining and blindly follow the results of the aesthetic concept from the artist's own life,Camouflage can not imitate not come.