Font Size: a A A

Research On The Creation Techniques Of Pipa Concerto "The Little Sisters Of The Prairie"

Posted on:2018-02-23Degree:MasterType:Thesis
Country:ChinaCandidate:H Y XuFull Text:PDF
GTID:2335330518475176Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
September 1972,China's first for the Chinese national musical instrument Pipa and the western orchestra and the creation of the pipa Concerto "Prairie Little Sisters" by Wu Zuqiang,Wang Yanqiao,three people together to complete the.This is a very representative of the work,is the western "Concerto" genre and the first in-depth integration of Chinese national music,has a milestone significance.Premiered in 1977,two little sisters composers through five parts to elaborate the Mongolian in the severe snowstorm in the commune struggling to rescue the heroic deeds of sheep.In the process of writing music,composers pay attention to melody,sound and orchestration,playing the main technique characteristics of the relationship between concerto.The combination of western modern composing technique and Chinese traditional music.The author of the pipa Concerto "Prairie Little Sisters" creative techniques for tracing the source,form and detailed analysis and research,mainly from the Mongolian music genre and dramatic tone,dance fusion,musical material use,the overall sound shape description,ethnic fusion to explore new sound and music aesthetic and value etc.hand,comb and elaborate multiple ways of the development of western music vocabulary and Chinese minority music creation in the fusion of Chinese orchestral Concerto in.Genre composer Title concerto with the title of the music,the symphonic poem in the combination of the traditional Chinese form of multi segment body and symphony in common sonata form together,will be divided into many movements and single movement induction combined,and the integration of Chinese and western composing techniques,laid the development trend Chinese orchestral Concerto writing.The author based on the above aspects of carding,analysis and linear relationship of orchestration of music,the traditional sound outlook to modern sound change of the concept of view,and the future direction of Chinese orchestral Concerto,and proved in the sixth chapter of national instrumental concerto value and status affirmation.
Keywords/Search Tags:Pipa Concerto, Composing techniques, Theme, Structure, Acoustics
PDF Full Text Request
Related items