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The Exploration And Practice Of The Religious Spirit Of The Classical Portrait Painting

Posted on:2018-01-16Degree:MasterType:Thesis
Country:ChinaCandidate:W F TanFull Text:PDF
GTID:2335330518476805Subject:Art
Abstract/Summary:PDF Full Text Request
The classical portrait has been occupying the important position in the history of the history of painting in the painting history of classical portrait masters with a myriad talents.I have a special liking for classical portrait painting since I was in primary school.Graduate students in this regard as a matter of course.I think art is the art of beauty in the first place,whether it can make people happy or not is an important prerequisite for most people to appreciate and accept.Classical portrait painting is a kind of religious painting,the basic requirements are relatively high,need to invest a lot of time and energy,it is impossible to crash.Whether the work has a pious heart,is to draw a good picture of the basic conditions of classical portraiture,there should be as much as I can the sense of piety,without leaving the force to treat each of his works.Through graduate study during the practice,I found the work attitude is more and more importance to a work,in the fast food culture in the era of "pious" can only hold the heart.As for the constraints on the works of religious believers sincere heart,reminding me of honest in their works,from the picture in the characters and structure,and the painting materials for their work attitude and other aspects of strict watch with me,for my direction.
Keywords/Search Tags:classical, portraiture
PDF Full Text Request
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