Qi County Region Folk Custom Wedding Ceremony Music Study

Advocacy early in the Northern Wei Dynasty,the Northern and Southern Dynasties,in Henan has been recorded,it has experienced the inheritance and development of the past,in terms of form and scale also has great changes.During the Northern Song Dynasty,Jin invasion of the Central Plains,the suona passed into the Central Plains,suona in the later advocacy music gradually developed as the main instrument.To the Ming and Qing Dynasties,suona is widely used in folk activities.Qixian Suona class host for the Central Plains culture,the use of musical instruments and the band is basically inherited the Henan advocacy music.This article will be the Kaifeng Qixian area suona class in the wedding ceremony of the music events as the starting point to the actual field of folk pollination based on the local wedding ceremony,as well as the wedding ceremony ritual music to restore the process,but also do some of this The purpose of the theoretical study,the purpose is to show the overall appearance of the local wedding ceremony ritual music all the face,and the ritual process of the music,to carry out detailed music form analysis.This article is divided into four chapters.Chapter 1 Introduction.Through the collection and collation of the books,periodicals,papers and images related to the music of weddings and festivals,on the basis of understanding the research history,the current situation of the research and the research results,this paper expounds the theoretical basis and reality of the topic selection Meaning,the main content and purpose of the study.The second chapter is about the Qixian area wedding ceremony music music background of the detailed introduction.It is found that the study of ethnomusicology is the music that exists in folk and society.This chapter is mainly the basic work of research: to give a detailed understanding of the ecological environment of the particular region and the population,and then to the general characteristics of the funeral and ritual music A kind of macro grasp.The third chapter is about the Qixian folk wedding ceremony ceremony of the case investigation and record,through the field investigation,summed up the Qixian folk wedding ceremony ceremony of the whole process,with the instrument in the process of advocating the basic use of music.Through the Qixian area folk wedding ceremony rituals and ceremonies with the music of the specific process to do a detailed introduction,and then analyze the characteristics of the ceremony with music.So although the focus of the study is the music of the wedding ceremony,but the use of music for the understanding of the occasion is also very necessary.The fourth chapter analyzes the form of Qixian wedding ritual music.This chapter mainly elaborates on the music performers and ritual sounds during the wedding ceremony.Finally,the author summarizes the current situation of the ritual music performers: the present situation,the development and the inheritance of the contemporary suona classes,and describes in detail the instrumental music and music characteristics of the ritual sound,and what kind of development problems will be put forward for Chinese traditional music.