A Research On The Propagation Path Of Chizhou Nuo Opera In The Perspective Of Communication

So far in the country,Chizhou Nuo Opera is an intact ancient drama,no matter in the aspects of performance form,drama,singing,masks,costumes,props,stage set,etc.It is honored as Chinese living fossil and the essence of ancient culture by academic circles,which contains a wealth of religion,folklore,traditional opera,anthropology,archaeology and other disciplines of knowledge,also provides the living samples for the present investigation of ancient civilization and ideology.At the same time,because of Chizhou Nuo Opera belongs to Chinese Nuo Culture on the one hand,it is natural,ancient and local as same as Chinese Nuo Culture.On the other hand,due to the regional culture and historical rheological injection,so it had formed unique Chizhou ritual drama.So is listed as national first batch of intangible cultural heritage list by the state council,and it has also been attract the attention of all sectors of society.Times are changing,Chizhou Nuo Opera is no longer a daily life gradually,and it becomes a kind of traditional culture and heritage,so lost its native correlation and feeling of worship.Due to Nuo Opera itself,On the other hand,due to the tag of “old-fashioned” and “feudalistic superstition” of Chizhou Nuo Opera itself,the origin of primitive totem worship against the modern science and technology,the farming civilization it relied on is damaged by the highly developed industrial civilization.And clan internal oral verbal communicationaagainstathe digitalization and the fast communication ofathe information era,so Nuo dance movements is particularly clumsy and dull under the bizarre media spectacle.So facing the protection situation of Chizhou Nuo Opera,it has some disputes and transmission error inevitably.Through the investigation and analysis,Chizhou Nuo Opera have fracture and connection with contemporary media culture,it reflects the consequences of modernity,and also need to reconstruct the meaning;It beyond belief,also has its roots in traditional;It reflects the digital divide,and connects the past,present and future.This topic will do some research from the perspective of cultural anthropology and communication studies,will also do some long-term in-depth field research.We enter the cultural space of Chizhou Nuo Opera,contact more scene images and collect more first-hand information.Thus it can provide a specific research of intangible cultural heritage research instances from the theory level,and encourage academic circles urge effective protection of Chizhou Nuo Opera from the practical level.On the propagation path of Chizhou Nuo Opera in the perspective of communication,we should construct it reasonably from moderate resume,cultural consciousness,environment support and media perspective.