Research On The Inheritance And Development Of Traditional Drama Intangible Cultural Heritage In Contemporary Time

The intangible cultural heritage of traditional theatre plays an important role in the development of Chinese culture.It is closely related to the life of the people.In the age of agricultural civilization,it has become the main way of entertainment for the people.From the princes and nobles to the common people,they are very fond of traditional theatres.Self-pleasure in daily life is inseparable from the performance and appreciation of traditional theatre.This is especially true of festival entertainment.Traditional Chinese festivals such as Lantern Festival,Dragon Boat Festival and Spring Festival can frequently see the display of traditional theatre intangible cultural heritage.Also in the period of agricultural civilization,it became a means of policy publicity and a way for the public to receive education.Even after the founding of New China,it still played an important role in public education and policy publicity.In today's society,traditional theatre intangible cultural heritage still has its unique value,even the regionally obvious traditional theatre intangible cultural heritage such as Guangshan Huagu Opera and Luoshan Shadow Play,which occurred in the folk,still plays an important role.From the perspective of intangible cultural heritage,this paper considers how the intangible cultural heritage of folk traditional theatres with obvious regional characteristics can break through the fog in the face of the local survival and inheritance difficulties,and explore a suitable path for the inheritance and development of this type of intangible cultural heritage.In the end,this paper analyzes the two national intangible cultural heritage projects in Xinyang,Guangshan Huagu Opera and Luoshan Shadow Play,as typical representatives of traditional theatre in Xinyang,which were selected as national intangible cultural heritage representatives in 2014 and 2008 respectively.Among them,Luoshan Shadow Play also participated in the whole process of Chinese Shadow Play's declaration of masterpieces of human intangible cultural heritage.After hundreds of years of development,Guangshan Huagu Opera and Luoshan Shadow Play have become more and more complete in the interaction with local folk activities,folk beliefs and natural activities,forming an existing art form.The first chapter of this paper,the interpretation of traditional theatre,mainly discusses the basic concepts of "traditional theatre","theatre" and "puppet theatre",trying to clarify the boundaries of their respective concepts,and aims to explain the use of the concept of "traditional theatre" in the process of classification and protection of intangible cultural heritage.At the same time,the rationality and feasibility of analyzing the Guangshan Huagu Opera and Luoshan Shadow Puppet Opera together in consideration of the title of this thesis.The second chapter is the performance of traditional theatre intangible cultural heritage in Xinyang area,analyzes the basic situation of traditional theatre intangible cultural heritage in various counties and districts in Xinyang,and finally introduces the evolution and development process of Guangshan Huagu Opera and Luoshan Shadow Play in detail,especially after the founding of the People's Republic of China The ups and downs of the two intangible cultural heritage projects,as well as the related etiquette and customs.Since Luoshan shadow puppetry also includes the production skills of shadow puppets,this chapter introduces the production process of Luoshan shadow puppets in detail.The third chapter explains the three dimensions of non-genetic inheritance of traditional theatre,mainly from the perspectives of "inheritance","performing group" and "audience group",and analyzes the characteristics of the three aspects and the relationship between them in detail.."Inheritors" are analyzed from two aspects: national inheritors and provincial and municipal inheritors;"performance groups" are explained from two aspects of professional theater troupes and folk theater groups;"audience groups" are analyzed from the elderly groups,middle-aged The three levels of age group and children group are explained.The fourth chapter analyzes the non-genetic inheritance and development of traditional theatre,based on the analysis results of the respective characteristics of "heirs","performing groups" and "audience groups" in the third chapter,combined with the current situation and problems of Guangshan Huagu Opera and Luoshan Shadow Play,etc.Develop actionable and implementable reasonable countermeasures.Finally,it is concluded that if the traditional theatre intangible cultural heritage is to maintain its vitality in the current society,it is necessary to insist on making breakthroughs in these three aspects and make new changes.The traditional folk theatre intangible cultural heritage with obvious regional characteristics,in the modern society with diversified entertainment methods,its dominance of entertainment will inevitably change,and the traditional theatre intangible cultural heritage in the traditional sense will abdicate.Under the new social environment,the traditional theatre intangible cultural heritage must adapt to the corresponding strategy of this change,either in the form of dissemination or in the content of performance,so that it can continue to be active in the daily life of the people with a new attitude.