A Study On The Freehand Brushwork Of Imperial-court Decorative Meticulous Flowers-and-birds Paintings In Song Dynasty

The realistic features of imperial-court decorative paintings in Dynasty are more prominent,but in the performance of its realism,freehand also exists.In this paper,the freehand of imperial-court decorative flowers-and-birds paintings will be explained as an example.Imperial-court decorative flowers-and-birds paintings in Song Dynasty reached its peak at the time,and it was an important period in the history of painting.At that time,social and political,economic and cultural stability and prosperity,in such an era background,will allow people to meet the material needed at the same time,to find the spiritual level of enjoyment.The rulers were influenced by the former dynasty,respecting the policy of emphasizing the suppression of martial arts,combined with their own love of painting,the establishment of paints,courtesy to painters,making the painting academy in Song Dynasty mature,and there had been a large number of painters servicing the ruler,which provided a very good development space for freehand brushwork.Song was a period advocating rationale,and reason,which are the inherent law of things,the essence of the pursuit of the true.Such a social background and rational trend of the times made Imperial-court Decorative paintings full of realistic characteristics.However,the realism of the Song and Yuan Dynasties and the realism of the Western and Chinese painting is fundamentally different from that of the Western painting.The realism of the West is only the appearance of the image,the appearance of the object,and the objectivity of the external life.Objects,based on a fixed time,space,and rigid dogma,with light and shadow to the performance of the volume,it is as well as reproduction and as natural as accurate color.The pursuit of realism is like a real object,but it is only a representation,the reality is through the real description of things to seek its intrinsic nature,is right The true and the spirit of the description of things,write real life,is the need to describe the subject to subjective treatment,to grasp its laws and characteristics.This process needs to be realistic in the sketch,which is freehand expression.In the course of the development and evolution of the Song Dynasty,there were different schools of painting,which were originally made by Huang Quan,and then changed from Cui Bai to the development of Xu Yi's wild feeling and the advantages of absorbing both.And then later developed the literati intended to stroke.But no matter what period to shape the gods have reached a high attainment,can be described as both God-shaped,are freehand.Although there are many views that the Song Dynasty school bodywork flower and bird painting is realistic,but look at the history of Chinese painting he is freehand.Today's society is a period of pluralism compared to the Song Dynasty.In the development of some new elements such as the West to the east,new materials,resulting in the emergence of a variety of different views of the school,the collision between different schools,people impetuous,follow the trend,making the rich form of metaphysics at the same time,Flow in production.From the previous works of the National Art Exhibition can be seen,more than manuscript painting,making more than painting.This article will be immersed in the Song Dynasty school bodywork flowers and birds,which focus on the expression of free expression,and its importance.As well as the contemporary art of painting,the problems of any inspiration exist.