The Research About The Paradox Of How Authors Are Well-known To Contemporary And Posterity In The Process Of Writing Martial Arts Novels

As a part of popular literature,the martial arts fiction,which can be traced to the historian biography of Han Dynasty,has a prolonged or called growing process,thus it has an important influence on the content and form of some types of literature in different times,such as Tang Legend,Song and Yuan story-telling script,Ming and Qing novels,the old martial arts fiction of the republic of China,the new martial arts fiction of Hong Kong and Taiwan,etc.Besides the martial arts fiction also makes it clear to all that it is a kind of literature and has independent character and existent value.The old martial arts fiction of the republic of China and the new martial arts fiction of Hong Kong and Taiwan are two sparking stages that can't be ignored in the development process.It is not only because the countless relationship between two periods,but it is also because it tracks the paths of the martial arts fiction including deep-seated historical tradition.Otherwise,owing to the geographic relationship between the mainland and Hong Kong and Taiwan,they would be sucking into the political discourse game.Of course,they have different advantages and disadvantages.However,as an oxymoron,the authors who write the martial arts fiction and their works have a relationship between generation and restriction,and this is a common phenomenon that can't be avoided for the two kinds of schools of novels in the different regions.This commonness can be called the paradox about how authors are well-known to contemporary and posterity,but it is a contradictory proposition.Especially,this is a paradoxical relationship between how authors would like to be famous and how they get their reputation in reality,or we can say this is an unbalanced cognitive relationship between how we evaluate ourselves and other people evaluate ourselves.The word of well-known involves the literary creation subject which equals to the authors who write the martial arts fiction and the creation object which equals to the martial arts fiction and the productive labor about writing the martial arts fiction.Through the three points consist of the form of resource allocation including human beings,things and matters,they also cause the strange contradiction or the emotional collision between the subject and the object.After all,due to the influence of the outlook of orthodox literary,the martial arts fiction called the secondary literary is at the bottom for a fairy long time,and the authors of the martial arts fiction are also suffering from the inferiority complex of text.This kind of mood is intense especially when the authors of the martial arts fiction are unknown to all of us,but it is true at the same time.However,what's puzzling is that this kind of mood seems ambiguous or a mixture of truth and falsehood after the authors who write the martial arts fiction are well-known to contemporary and posterity.As a consequence,it leads to a reluctant,confused paradox just because of the crack of previous statement and upper fabrication.As a kind of literary activity,we can impose the word of enterprise on the martial arts fiction.In the process of starting a career,it will involve the specific ways about how the authors of the martial arts fiction are well-known to contemporary and posterity.There are two small but complete ways,the one is the contagion of colleagues in their careers,the other is the separation and incorporation of colleagues in their careers.The former contains Huanzhu Louzhu and Zhu Zhenmu who belong to the old martial arts fiction of the republic of China,and it also contains Liang Yusheng and Jin Yong who belong to the new martial arts fiction of Hong Kong and Taiwan.The latter contains Gong Baiyu and Zheng Zhengyin who belong to the old martial arts fiction of the republic of China,and it also contains Jin Yong and Ni Kuang,Gu Long and his ghostwriters who belong to the new martial arts fiction of Hong Kong and Taiwan.Moreover,in the view of the fact that the martial arts fiction and the romantic fiction are two indispensable kinds of popular literary,besides,in the view of the compact between the two issues,therefore it becomes a necessary choice for the authors who write the two kinds of the novel themes.For example,we can put Gong Baiyu who is called the writer of the martial arts fiction and Zhang Henshui who is called the writer of the romantic fiction together in comparison according to the standard.It is not only because of the generality and heterogeneity of the martial arts fiction and the romantic fiction in content and form,but it is also because of Gong Baiyu and Zhang Henshui's attitude about the martial arts fiction and the romantic fiction that belong to the ancient category of popular literature.Zhang Henshui had meant to plead for the ancient art,but he led the modern revolution of the traditional chapter fiction.Gong Baiyu had planned to dig holes to make a tomb for the ancient art,but he became an epochal helmsman of carrying the flag.There is no doubt that this is a thought-provoking literary or social phenomenon and the paradox about the authors who are well-known to contemporary and posterity also lies in the comparative interpretation both Zhang Henshui and Gong Baiyu.Besides,as a commonness about the creation group of writing the old martial arts fiction of the republic of China or the new martial arts fiction of Hong Kong and Taiwan,the paradox is not only lies in the social relationship of colleagues and co-authors covering the process about how the authors of the martial arts fiction are well-known to contemporary and posterity,it is also lies in the the inter structure of the martial arts fiction such as thematic expression,characteristic,narrative technique,scholastic inheritance,etc.As for the internal structure,it points out the self-sufficiency mechanism existing in the process about how the martial arts fiction becomes a kind of literary theme,and undoubtedly the self-sufficiency mechanism plays a guiding or disciplined role for the authors of the martial arts fiction.As a result,it makes the authors of the martial arts fiction plays a construction and destruction role in the textural structure,and this is another way of being for the proposition about how the authors are well-known to contemporary and posterity.