A Study On The Fables Of Zhuangzi From The Perspective Of Narratology

"Zhuangzi" is a philosophical work with profound and profound thoughts.Although it is not devoted to the creation of the charm of literature and art,"Zhuangzi" still has a high literary and artistic achievement,which can not be neglected in the history of Chinese literature and even in Chinese literature The Many of the imagination of the book is wonderful,meaning the profound fable is the treasures of our classical literature."Zhuangzi" fable already has the characters,the plot and other narrative elements,is an important part of our traditional narrative literature.However,the narrative research of "Zhuangzi" fable is not enough compared with the narrative study of the historical literature in the pre-Qin period.In this paper,the narrative theory of "Zhuangzi" allegorical analysis to analyze the "Zhuangzi" fable in the narrative of some of the characteristics,and the characteristics of this narrative in the process of expressing the purpose of the article play a role.The first part of this article is the introduction,briefly describes the origin of the study;the definition of the "Zhuangzi" fable to clarify the "Zhuangzi" fable in the book refers to the later is not a literary fable;on the use of narrative principles of "Zhuangzi" The status quo to sort out.The second part first discusses the connotation of "Zhuangzi" allegory "by" and the expression of allegory in the three words-"the fable is wide",and clarifies the dominant position of the fable in "Zhuangzi".The expression of the fable in the process of Zhuangzi is very important,and the narrative character of Zhuangzi allegorical also plays an important role in expressing his thoughts and explaining the truth.Followed by the "Zhuangzi" in the fable according to its narrative is obvious,whether it has a complete story and a clear and independent meaning is divided into quasi-fables,with a certain story of the fable and fable three categories.And these fables in accordance with the narrative of the definition of narrative into a part of the narrative fable and narrative fable.The third part discussesthe characters in the fable.First of all,the image of the classification,divided into the image of the ghost,the image of people and the image of things.One of the image of a class is divided into historical figures,skilled craftsman image,the image of the abstinence,because Zhuangzi himself image has a certain degree of particularity,so separate listed,and the other three categories.Secondly,the use of narrative theory in the functional view of the concept of analysis,although the allegory in the shape of some of the distinctive image,but all the image of the most important role is to "Tao" the ultimate purpose of the service,with Typical functional image.And according to the function of the image,divided into the author and the release of Taoist,Taoist and Taoist who,who argue five categories,and that their respective role in the fable.The fourth part uses the theory of narratology to discuss the narrative tactics of Zhuangzi alleys from the aspects of narrative rhythm,narrator type,narrative perspective and so on.Section 3 sets out the unreliable narrative strategy used in the fable.The final conclusion is a summary of the full text.Based on the theory of narratology,this paper studies the Zhuangzi fables from the perspective of narratology,and tries to reveal the role of the narrative features in Zhuangzi ’s fable in expressing the purpose of Taoism.