Research On The Film And Video Narrative

The creation and reorganization of the film and video presently being a general popular phenomenon. Aiming at the absence of a complete theoretical support in the creation and reorganization, this thesis with the application of Chinese Narratology to the reorganization of the film and video, has raised up it' s understanding and the theory system towards the reorganization as well as the creation of film and video.Through out all six parts, this thesis has made theoretical analysis and practical illustration from both internal and external.First part is a discourse upon the narrative structure of film and video as well as an illumination on the inalienable relations between the creation and the structure factors, in terms of analyzing the complementary and interactional relations between the creation thinking and double construction strategy.Second part of this thesis is a description on the narrative space and time of film and video via theory induction and example proof based on the angles of narrative time, the narrative space and the space-time interlocks as well.Third part is a discourse upon the narrative angle of view. This part systematically interpret the overall angle of view and partial angle of view, and respectively summarized the characteristics of the both while inspecting the narrative angle of view from the film and video itself so as to turn out the supplementary relations between focus point and blind point as well as the esthetics effects of the actual condition and virtual reality cross-referring in the film and video .Fourth part is about the narrative image with wholly understanding and exemplification on the way of different images combination, reality and virtual reality in a film as well as the unique mirror language of film and video itself.Fifth part is of narrative language in film and video. This part respectively elaborated the utilization and function of several movie mirror language as the composition, the depth of field, the montage and distant shot in a film.The sixth part with the use of reception theory from Hans Robert Jauss, elaborated the dimension to the audience acceptance. Via analyses and collections on audience anticipation towards different types of film and video, this thesis theoretically dissected the anticipation vision of audience, along with the suggestion proposed that the creation of film and video follow the defamiliarization aesthetic viewpoint, and concluded that the thinking inertia is of positive effects according to specific historical spirit under the vision of the audience anticipation in a specific time. Finally proposed the method that defamiliarization and thinking inertia be mingled together in the creation of film and video.