Research On National Operas Of Sichuan And Eastern Zhou Dynasty

Sichuan opera circles often say "three thousand in Tang,eight hundred in Song,three in a row".The national dramas have always been repertoire performed in Sichuan opera circles.This article is a study of the national dramas in the Eastern Zhou Dynasty.First of all,I sorted out the repertoire and source of the Sichuan drama in the Eastern Zhou Dynasty,most of which were from the historical romance novel "Eastern Zhou Dynasty",and there were also dramas from Baojuan,legend and legend.Secondly,it clarifies the many reasons for the popularity of the Sichuan Opera in the Eastern Zhou Dynasty.The long-standing drama tradition in the Bashu region provided a rich soil for the development of the Eastern Zhou drama.In the Ming and Qing Dynasties,the stories of the Eastern Zhou Dynasty A certain degree of communication,including the historical romance novel "Eastern Zhou Dynasty" published in Bashu area,as well as the introduction of other vocals such as Poyang,Xunzi,etc.brought some repertoire,meanwhile,there are special robe culture in Bashu Together they promoted the prosperity of the national dramas in the Eastern Zhou Dynasty.Third,it analyzes the performances of the Sichuan and Eastern operas in the Bashu area.Four river channels are used as the main communication positions,covering performances in Sichuan and Chongqing.Among them,the "Western Sichuan Basin" area,which is the most prosperous area in Chengdu..Fourth,by comparing the dramas of the Eastern Zhou Dynasty with the national dramas of Sichuan Opera and their original sources through characters and plots,the unique features of the adaptations are explored.This article analyzes the characterization of the national dramas of the Eastern Zhou Dynasty and the Sichuan Opera from four aspects:positive characters,negative characters,female characters,and small characters in the market.From the contradictions and conflicts in the storyline,the ups and downs of the story,and the climax and ending of the story,this article analyzes the management structure of the Sichuan drama in the Eastern Zhou Dynasty.Fifth,it explores the performing arts of the national dramas of Eastern Zhou Dynasty and Sichuan Opera from two aspects: language and role.The dramas of the Sichuan and Eastern operas in the Eastern Zhou Dynasty are both elegant and vulgar.Both the beautiful and concise dialogue and the unique dialect make the play interesting.In the role,he analyzed the images of Wu Xiaosheng,Zhengsheng,Lao Sheng and Harlequin in the national dramas of the Eastern Zhou Dynasty and Sichuan Opera.The harlequin is the focus of the analysis.The humor and humor are endless.