Through The Time Spirit Of The Candle—on The Pursuit Of Modernity In Left Wing Poetry

It is perhaps appropriate to look at the history of the vicissitudes of the left-wing literature and to describe the fate of the word "flourishing".In the literary history dominated by the "revolution" paradigm in the first three decades after the founding of the People’s Republic,the left-wing literature always existed as the core of "new literature",and it was glorified by participation in the revolutionary history.Since then,this a polarized writing style has been criticized and discarded.In the 1980 s,the admiration of the discourse of modernity and modernity provided a new frame of thinking for the narrator and the researcher.As a goal,they carried out a series of activities such as "pure literature" in the broad sense of rewriting literary history,Aesthetic as the pursuit of goals,and politics linked to the left-wing literature naturally be excluded.In the context of this "modern" paradigm,the pursuit of "modernity" in left-wing literature is seen as meaningless or even "anti-modern".The same is true of left-wing poetry.In the discussion about the modernization of new poetry,the left-wing poems(including the left-wing poems of the 1930 s,the poems of the liberated areas of the1940 s,and the "seventeen years" poems since the founding of the People’s Republic)were absent,placed within the scope of the discussion.Especially since the new century,this blind spot led to the gradual emergence of "modernity" in the subsequent 90 s.In the case of recognition of modernity,it is an effective knowledge device,and this paper tries to rethink the existence of left-wing poetry.Which is the relationship between the left-wing poetry and modernity(which is bound to re-sort out the understanding of modernity).In the modernization of new poetry,what kind of role does it take relative to modernist poetry,From the image of the analysis),to explore the left-wing poetry in the spirit of the dimension should still be paid attention to the practical significance,it is also need to point out that the left-wing poems before the left-wing poets themselves experienced by the "dream".The transformation of the composer,which is more rich in our understanding of the difficult process of modern poetry.The first part mainly confirms the modernity of left-wing poetry.After combing thepresent situation of the present research on the modernity of poetry,it points out that there is a problem of "poem" and "thin poem",and the proposition of "modernity of anti-modernity" as the starting point,confirming the modernity of left-wing poetry The Secondly,under the care of this proposition,we return to the poetry of the 1930 s,and explain the modernity of the two major schools-the modernist poetry and the left-wing poems,and think that,in the case of the left-wing poems,Attitudes should be taken seriously.The second part starts from the image,and analyzes the spirit of the modern spirit of the poet in the left-wing poems.The images used frequently in the left-wing poems have formed a corresponding system and resorted to a clear pursuit of the value of the land,the sun,the wind and rain as the main three series.Therefore,this part focuses on the analysis of the corresponding poetic text on the basis of the flow of the poet in which the main body of the modern attitude,concerned about the spirit of the bottom,the soldiers posture and the ideal of the world.The third part returns to the left-wing poems before the left-wing poet struggles to express care.Specifically to Mu MuTian and Yang Sao two poets as the representative,from the poetry of the text to explore its inner change,hoping to achieve the effect of point to the surface.