Research And Application Of Traditional Artistic Patterns Of Xinjiang Uygur In Graphic Design

Patterns in modern plane design more diversified forms, extract the traditional minority national pattern applied to the plane design, the modern plane design to create the more the possibility and feasibility of. Now to ethnic minority region culture heritage and development, is the modern country and the world wide attention. China is a multi-ethnic country culture coexist,in traditional arts of a nation minority patterns art has an indispensable status, thus many problems faced with the heritage and development. Along with the progress of science and technology, the modern plane design with traditional minority national grain appearance how height together and better presented in graphic design, is the thinking of graphic designers and art scholars need immediate task. In absorbing minority traditional culture essence and pattern of element extraction at the same time, to deal with these as a cultural carrier of modern graphics will has a rigorous academic requirements, at the same time also to shoulder the responsibility of the cultural heritage.In xinjiang is located in the hinterland of the Eurasian, peripheral border with multinational, thus formed the multi-ethnic settlements in xinjiang. The uighurs are many ethnic minorities in xinjiang has the largest population and keep the national culture of the most comprehensive national. In terms of culture, the uighurs have their own language and characters. So in xinjiang ethnic patterns, the patterns of the uighurs with its iconic features,showing from color to form rich variety of ethnic cultural characteristics, it can be full of creative inspiration, clues to the elements and design ideas for designers in graphic design.Uighur pattern for the inheritance and development of traditional minority national art category. In order to realize the modern plane design in the patterns of the national development and restore it to the design of the graphic elements in modern plane design and the integration of xinjiang uygur traditional patterns.For xinjiang uygur patterns appeared in plane design, is not to completely copy and hard radix rehmanniae superposition in graphic design. But to extract pattern elements and essence, and then combined with the modern plane design form and reach new heights of art and design. This is to create a process,rather than copy operation. This requires designers and scholars should fully understand the many ethnic minorities in xinjiang uygur people's living environment of the traditional culture, religious belief and habits and customs, this is just a prerequisite. The most important thing is how to do the xinjiang uygur pattern applied to modern graphic design. Is the concern of scholars and designers to think.In fast development today,cultural prosperity,design creativity in graphic design highlights the status is especially important, therefore the xinjiang uygur fusion patterns in modern plane design, create a diversified, the lasting appeal of Chinese minority visual design work, localization is the advocate of art creators, designers, and scholars inheriting national culture orientation and the important direction of humanized design. Media era of open and world culture communication collision makes us more urgently to our national traditional elements into the modern design, which requires rooted in the native and the soil of traditional culture of a nation.