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An Analysis Of The Artistic Language Of Zhang Hongliang's Watercolor Figure Painting

Posted on:2018-04-07Degree:MasterType:Thesis
Country:ChinaCandidate:D J FengFull Text:PDF
GTID:2335330536470748Subject:Painting creation and theory
Abstract/Summary:PDF Full Text Request
Western watercolor painting has introduced the development history of China for nearly a hundred years.Nowadays,with the influence of Chinese and Western art culture widely and multi-angle,in this good international environment background,watercolor figure painting has also received some attention,showing unprecedented prosperity and development stage.Watercolor figure painting is an important part of the performance of watercolor painting,after the reform and opening up a new trend of development.On the one hand,the current efforts to study the watercolor figure painting artists and social groups,more and more international exhibition;the other hand,reflected in the watercolor figure painting theme development and new techniques,new materials,new ideas to explore more and more rich and broad The Since the 20 th century,since the 90 s,there are many young and middle-aged painters committed to the cause of Chinese watercolor figure painting research and exploration,there are many outstanding painter head corner,with Chinese temperament,national characteristics,reflecting the spirit of the times the classic masterpiece come out The Among them,the painter Mr.Zhang Hongliang is for our country today's watercolor figure painting career development efforts to explore and explore a prominent,his watercolor works in the East and the West,between tradition and modern to seek fit,in the integration of Eastern and Western culture,The ideological connotation of a breakthrough,so that produced in Europe watercolor figure painting art with a distinctive Chinese temperament,national characteristics and the spirit of the times.Its works are rich in artistic language,bold and magnificent,unique form of the composition of the United States;colorful and rich and simple colors;form of clever organic combination of character modeling;rich and varied character techniques;natural,also true magic;Profound artistic conception,wonderful infinite mood,showing his watercolor figure painting art language infinite charm.At the same time,the watercolor figure painting art language shows the unity of the painting and character;things my two forget,devotion to painting;inherited the traditional,inventive ideological connotation,showing his watercolor figure painting art language to integrate many ideological connotation To the screen,making its works more style and taste.His art in the watercolor figure painting to explore,to tell people to form their own unique artistic language needs a certain depth of life and deep culturalheritage,and a high ideological content and aesthetic realm as a bedding,it is not a simple mechanical Learn and imitate.In addition,the study of the artistic language of the watercolor figure painting needs to be guided by the Chinese temperament,national characteristics and the spirit of the times,and need to pay attention to the new trend of the development of the international environment art.This topic mainly tries to analyze the characteristics and ideological connotation of the artistic language of the watercolor figure painting from Mr.Zhang Hongliang,and examine and study the characteristics of his art language.Therefore,the study of this topic has a certain social value for the artistic characteristics and artistic charm of the watercolor figure painting,and it can provide meaningful reference and inspiration for the exploration of the art language of the watercolor figure.
Keywords/Search Tags:Zhang Hongliang, watercolor figure painting, artistic language, ideological connotation
PDF Full Text Request
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