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The Differences Between Chinese And Western Watercolor Painting Language

Posted on:2015-08-21Degree:MasterType:Thesis
Country:ChinaCandidate:C S LiuFull Text:PDF
GTID:2285330431491181Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Watercolor painting into the China has nearly100years of history, although it is inWestern art forms appeared in China, but the material characteristics and paintingmethods, have in common with the traditional way of painting Chinese greatly.Watercolor painting can performance theme is extensive and comprehensive, watercolorfigure painting as one of the important components, can regard it as a basic research andthe creation of watercolor painting, on the other hand, can be said to be very eracharisma, essence and phenomenon of reaction time in the most effective way is to drawthe character--then the watercolor figure painting, is a very good way of expression, soat present the watercolor figure painting in China’s development, as well as the researchand comparison of the course of development of Western watercolor painting, it isnecessary to find meaning and direction of creation, creation of watercolor paintingfrom. The watercolor figure painting, difficulty of performance is as everyone knows, ifnot skilled painting techniques, the full understanding of the material properties andmoisture, unique and rich color perception, it is difficult to express the picture’sflexibility and want to convey the spirit of the connotation of the. But many of today’swatercolor figure painting the author, in the understanding of techniques and watercolorbasic training, mistakes tend to fall into another thought, that the watercolor originaltechniques and materials are not showing their heavy feeling, can not create a picture ofthe new. Thus reducing the study of watercolor ontology language, ignoring thecharacteristics of watercolor painting unique, one-sided pursuit of similar to theexpression of other kinds of painting. Undeniable used in new ideas, new ideas, newmethods and new materials in the contemporary watercolor figure painting, paintinglanguage has undergone profound changes. But the use of watercolor techniques mustbe consistent with the aesthetic characteristics of watercolor painting, spiritualconnotation of works to convey accurately, only the expression techniques common tohave the personality of the artistic language, in order to show their own unique artisticideas. Because of the great differences between Chinese and Western culture,differences in the nature and expression way of understanding the world, research of thethesis, combining various factors in-depth understanding of development prospects and direction of watercolor figure painting, in today’s complex artistic atmosphere to seekthe watercolor language should be the unique artistic charm.In the study process I also made some watercolor figure painting, but also in thereflection process during, also some superficial personal experience, hope to be able topractice and learn at the same time, can have the harvest, the breakthrough of the wholethesis, formed their love for watercolor painting based on, from read related books a lotof experts and scholars, especially wide for outstanding achievements, influence, forreference and analysis of differences in Chinese and Western painting language ofwatercolor figure. Main contents of this paper are as follows: firstly, the Westernwatercolor portraits of the reality and the times background, the combination of Chineseand western various literature carries on the research analysis, has been explored thedirection China watercolor figure painting. Second from the time and culturalbackground, aesthetic character, theme and artistic culture and ways of thinking toanalyze the impact of various aesthetic factors of the Chinese watercolor figure paintingartists. Third this paper work with specific part of watercolor figure painting artists,from the selection of themes, techniques, materials innovation and other aspects, theanalysis and discussion of contemporary watercolor figure painting artists aestheticpersonality embodied in the creation of watercolor figure painting. The fourth part,combined with their own creative experience, summarize and idea of aestheticpersonality and development trend of China watercolor painting, but also on the Chinawatercolor painting future expansion and prospect.
Keywords/Search Tags:Watercolor figure painting, The difference in the West, New ideas, Thedevelopment trend of
PDF Full Text Request
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