| Since the 85 trendy art since the society has undergone tremendous changes,the country continued to open,at home and abroad a variety of trendy schools collide together,thus forming a multi-coexistence of China’s artistic development period.Chinese classical realistic wind painting is also in this plural context has been developed by leaps and bounds,and showing a diverse face.Artists have chosen to inherit the tradition,so that with the current things,cultural spirit combined to create a contemporary value of the works.Each classical realist painter tries to find the artistic language that fits with his own emotional experience and seeks the artistic value of his own characteristic.The research of this paper is divided into three chapters: The first chapter analyzes the development characteristics of classical realistic oil painting at home and abroad,and can know the performance and understanding of classical art in different historical periods,different geographical and cultural backgrounds There is a difference.And defines the concept of classical oil painting in this paper.In the second chapter,we give some examples of the classical artists who are representative of the classical realist oil painters,let us know more clearly the classical realistic wind painting,understand the unique artistic style and the presentation of each classical realist Multi-faceted classical realistic wind painting this phenomenon.The third chapter is the focus of this article,a discussion of the contents of the previous two chapters,the main spiritual and technical aspects of the discussion,and come to the argument: the spirit of the content and the performance of the work has a very close relationship,what kind of Of the spiritual connotation of what kind of behavioral value,skills,a lot of time is a painter of the spirit of the external appearance.We in the study and creation of classical realistic wind painting in the process of attention to the skills at the same time,should be more clearly and profoundly embodies the classical realistic oil painting to reflect the spiritual connotation.Maintain a harmonious attitude,scientific understanding of contemporary Chinese humanistic spirit and traditional Chinese culture.But also to promote the formation of this multi-faceted factors were explored,summed up the individual differences,the cultural background of the times,inheritance,life experience,subject matter and content of the spirit of the differences in content and other subjective and objective factors are to promote the classical realistic wind painting The main reason for the formation of the face,so that we have a more in-depth understanding of the understanding of classical realistic wind painting,learn from experience to guide us in the classical realistic oil painting research creation to explore.Since the oil painting was sown on Chinese land,it began to be infiltrated by Chinese soil and rainwater,and it was linked with the Chinese cultural spirit,and was given national characteristics.Thus forming a higher style and attached to the connotation of Chinese cultural works.Carefully look at nature,in-depth social life to experience and experience,pay attention to life concern society.This also formed the spirit of art in different times and the pursuit of ideological and cultural connotation.Only then we can create works to reflect the contemporary spirit of the spirit of contemporary Chinese culture.Can not just classical realistic painting as a visual concept and the description of the objective appearance.Classical realism is the reality of the real emotional experience,is the artistic creator of their own ideas and emotional expression.We should be in the moment,should use their own taste to taste the taste of the world,even if the life of our things have been excavated by many people,but as long as we can find a good entry point to experience and repeated chewing taste This thing,it is possible to dig out different things belong to their own. |
PDF Full Text Request