On Contemporary China's " Classical Wind " In The Oil Painting " Humanism " Missing

This paper closely around "humanistic spirit" and "classical painting" this one theme, through China's "classical wind" painting to discuss the origin and development of Chinese oil painting "classic wind" the lack of "humanistic spirit".This article first elaborates on what is "humanistic spirit" and "classical painting" and Chinese painting "classic wind" the concept and category, and briefly reviews the "classical wind" oil painting in China rise, development and prosperity of the process. Secondly, through to the "humanistic spirit" and "classical painting" ideological content and dialectical relationship between thinking and analysis of contemporary Chinese, "classic wind" painting "humanistic spirit" missing the universal phenomenon to explore further system, and tries to find an immanent cause. It is clarified in this paper not only the center point of view:artists is to learn "classical painting" materials and techniques, the more important is in works express "humanistic spirit", to overcome the essence of current "classical wind" existing in oil painting "false, empty, colourful, common" phenomenon, fully embodies the "humanistic spirit" works, to enhance the artistic works and sociality.Finally, this paper presents a restructuring Chinese "classical painting" of the spirit of quality and value orientation this constructive ideas. Points out that only further realize the meaning of "humanistic spirit" can we truly achieve the "classical painting" technique and "humanistic spirit" thinking of the real docking, possible to change China's "classical wind" painting only stay in the techniques of gaieties and content on the surface of the poor situation, will likely be founded on real significance in China with the "classic canvas".This article through to the creation of oil paintings of the "performance" humanistic spirit lack of understanding, not call in western learning "classical painting style" painting techniques at the same time, should notice to show his works contain "the connotation of humanistic spirit", will work more integration into the humanistic solicitude thoughts become artist's one kind of aware behavior and advocate, make its external form become connotation perfect carrier thoughts. Thesis discussed by specific analysis and macro method, through the contemporaryChinese oil painting "classic wind" represents the character's research for expression,make people more comprehensive path clearly know China "classical wind" painting and status quo of meaning, and the remaining problems and try to overcome the vulgar YanQing esthetic orientation, make China "classical painting" toward more health elegant aesthetic direction. This paper mainly quotes historical material, references, lists the contemporary representative painter, by means of dialectics discusses and interpretation, enable readers to more clearly understand this paper, in order to realize the thinking on the subject of identity with the author views.