The Aesthetic Study Of Foshan Woodcut New Year Pictures

The Foshan woodcut New Year pictures,as“writes the color traces a design in gold” in the expression,“ten thousand year red”colour turn,and the large amount “the idol picture”,for its distinctive characteristics and the main sign,significant differences in other woodcut New Year pictures,maintain its reputation as the “lingnan folk culture”,the luxuriant growth has“the Lingnan folk custom culture rare and beautiful flowers” the fine reputation.This thesis selected the Foshan woodcut New Year pictures as a case,from the angle of artistic aesthetics in Foshan China art characteristic themes and artistic style,art has carried on the thorough analysis,and discusses its cultural function,then analyzes the foshan engraving art roots.This paper consists of five parts.The first chapter is the introduction part,including the selected topic background,research significance,research ideas and methods,etc.As China's important non-material cultural heritage list,Foshan woodcut New Year pictures has important artistic and historical and cultural value.The paper mainly adopts the method of comparative study and research,in aesthetics,folk art and other interdisciplinary do the beneficial attempt.The second chapter,through from the history and the comparison of two dimensions,take“writes the color traces a design in gold” in the expression,“ten thousand year red”colour turn,and the large amount “the idol picture”,as its distinctive local characteristics.The third chapter,from the perspective of the aesthetic orientation and artistic style to appreciate Foshan woodcut New Year pictures,extract its contained aesthetic meaning:“Into the vulgar in taste” of local interest;“Western style full”in Cantonese flavor;“the perfect harmony” of zen consciousness.The fourth chapter,from the artistic function agent to discuss the function of the foshan woodcut New Year pictures: for respectively,Ethical education: the easy understanding of “Mass media”;Psychological comfort: take“the faith of Water God” as the main spirit of belonging;Decorate beautification: The pursuit of the unity of aesthetic and practical;Record and spread: the “Encyclopedia book”of Guangfu custom.The fifth chapter,from the folk beliefs ?the conception of folk-custom?the traditional craft and the regional economy four aspects deeply dissects the characteristic of Foshan woodcut new year picture.In the conclusion part,how to inheritance and innovation Foshan woodcut new yearpicture as the representative of folk industrial art in present,this paper maked related discussion.