A Comparative Study Of Chinese And Foreign Female Tragic Role Of "Tosca" And "Zijun" Music Image

The earliest opera was born in the 17 th century Italian,and Chinese opera after learning from western opera performances,singing style and,combined with characteristics of Chinese opera,folk dance of innovative exploration,in the 20 th century half leaf form with Chinese conditions and customs characteristic of Chinese opera.The continuous development and creation of Chinese and foreign operas,today has created a number of outstanding works,in these outstanding opera in the creation of a number of classic women's tragic role.Among them,their tragic experience and the outcome often become the highlight of the whole opera,especially for their musical image,it is one of the important factors of the success of the whole opera.From the Chinese opera creation of different era background,doomed tragedy as a female character in the character image,emotion experience and destiny to the difference,also directly affects the connotation and significance of the whole opera,can reflect the image of women in western countries with different social and political system.This paper selects the Italian opera "Tosca" and women's tragic roles in Chinese opera "regret for the past" "Tosca" and "son of the king" as the object of comparative study,the first two clear contrast in the image formation of the background of the two Chinese opera composer and opera creation as the basis for the research,then in the third chapter compared the two female characters in the opera script reflects the tragic,combined with the above,specific to the melody features mainly,comparison of Chinese and foreign composers of the tragic character of the two women music image,finally "Tosca" and "son of the king",and draw a conclusion.This paper focuses on theoretical analysis and case study.Can better help the singer to complete the work,to play the role of the vocal music teaching has important theoretical significance and practical significance.