A Study Of The "Emerging Film" Comments On The Theory Of Interpretation

In the "History of Chinese Film Development",which laid the tone of Chinese film history,the history of Chinese films in the 1930 s showed the "left-wing film movement and national defense film movement" under the revolutionary discourse.In this one of the "left-wing film movement" paradigm is to become the history of Chinese film development in the classic paradigm,continue to follow.But this paradigm has not been adopted in the "History of Chinese Films" published by the 1998 Culture and Art Publishing House,replaced by a new paradigm of historiography,the "emerging film movement" paradigm.This new paradigm of film history in the later history of Chinese film history practice,has been more widely used,its paradigm status has been consolidated and developed.In the 1998 edition of "Chinese Film History"(hereinafter referred to as the "Chinese Film History"),there are obvious changes in the number of landmarks in the paradigm shift process.These landmarks’ name changed from the "left-wing film movement and national defense film movement" expression to "emerging film movement".Connotation and denotation has also undergone substantial changes,"China Film History" that the 30’s film phenomenon is a revolutionary film,and cultural society 98 version of "Chinese film history" is that this is a "mark the overall Chinese film art Leap forward " of the film movement;and in the definition of the emerging film movement also broke through the " left-wing film movement " before the limit,the beginning of the event as 1932 " Film Culture Association " was established,the end of the time limit is extended to the " national defense Movie " at the end.In the history of the film movement process layout,the cultural society 98 version of "Chinese film history" broke the "Chinese film development history" "left film movement" and "national defense film movement" each one chapter,evenly divided the ink,the "National defense film movement " into the " emerging film movement " a stage of development,resulting in a " three-stage theory " of the new paradigm,and then completed the " revolutionary paradigm " update.In the new century,the "History of Chinese Films" published by Chongqing University Press in 2011(hereinafter referred to as the "2011 edition of Chinese filmhistory"),accompanied by the overall progress of Chinese film history,the history of Chinese film in the 1930 s With the name of the "emerging film movement" and "three stages" of the paradigm framework,but its internal interpretation has a new development.The most prominent change is its "three-stage theory" historical connotation has changed,the culture of 98 version of "Chinese film history" will "1933years of rapid" as the first stage,and in the major society 2011 version of "China Film history " will be the first stage expressed as: " prelude-film revival." The new "three-stage theory" paradigm emerges,and the substitution of the new "three-stage theory" paradigm for the old "three-stage theory" paradigm is not simply a matter of historical content and a simple change in the internal framework.Reflects the Chinese film history in the 20 th century to the beginning of the 21 st century,the overall update,development and progress.This new paradigm is closer to the extension of the "modern" paradigm in which there is no ultimate value proposition.Further embodies the new century,to "emerging film movement" this film history academic research hot opportunity,the film history more in-depth,more comprehensive new development.