Analysis Of The "Jiang Genre" Flower And Bird Palace Painting Inheritance In Early Qing Dynasty

Jiang Tingxi,the pioneer of palace flower and bird painting,was the leader of "Jiang Genre" in Kangxi-Qianlong period,which included many painting masters such as Jiang Tingxi,Jiang Pu,Li You,Zou Yuan Dou,Ma Yi,Yu Xing,Tang Zuxiang,etc.The prosperous era of "Jiang Genre" went through Kangxi,Yongzheng,Qianlong three dynasties.Since his childhood,Jiang followed his father Jiang Yi studying Chinese traditional painting.He respected the Chinese-brush-using method of Song and Yuan dynasties,and he invented the very original painting method using two colors called Zheshi and Mo,also known as ZheMo Painting Method.As the leading figure of that era,he taught many students,including his family children Jiang Pu,Jiang Shu,mentor heritage painter Li,Zou Yuan Dou,Ma Yi,Yu,Tang Zuxiang,etc.,mostly palace painters.Through the large number of his students working as palace painters,we can easily conclude that Jiang was important in the palace painting on that status.But in the Jiaqing years,Jiang Baoling in the "Molin Jinhua" mentioned: "After Yun Nan Tian,Jiang is the best.And Jiang's son,Jiang fu,learnt from Jiang Genre.Meanwhile Zou Yigui also did great painting work with the similar techniques,which makes the paintings prosperous and elegant.His famous painting,"Baihua Juan",spreads all over the world.” And he noted that Jiang actually is part of the “Yun Genre”.In this paper,the author thinks that this statement is wrong.In the Qing Dynasty palace flower and bird painting,Jiang Tingxi In the Qing Dynasty palace flower and bird painting is the transfer of their own homes,can be said to learn the history of flowers and birds famous long,Yun Nan Tian's law can be on the Jiang Tingxi's painting techniques have a certain impact,but not as inheritance.So the author wanted to discover the relationship of Jiang Tingxi's painting style between the teacher,"Jiang Genre" flower and bird painting characteristics of the evolution,the formation and impact of the analysis.As to focus on Jiang Tingxi's "Jiang Genre" flower and bird painting characteristics,evolution,the formation and the influence of thought,this paper is mainly to discuss Jiang Tingxi's "Jiang Genre" flower and bird painting through the literature data query,Jiang Tingxi's analysis of handed down works.The content of this paper will be analyzed from the following aspects:The first chapter mainly introduces the relationship between Jiang Tingxi's style and the aesthetic charm.In the relationship between the division of teachers in the main clear Jiang Tingxi "Chiang faction" painting style before the formation of the main division of the context,and through the "National Museum of painting records","Shiqu Bao Ji" and other books to find proof of data,that Jiang Tingxi "Chiang faction",Yun Nan Tian "Yun school" flower and bird painting is the existence of the present and no people think of Yun,Jiang Chuan-cheng relationship.In the second section,the author of the Ming Dynasty painter Shen Zhou and the five generations of painters Xu Xi,who were mentioned by Jiang Tingxi,who had mentioned the painting style of the painter's paintings,The Northern Song Dynasty painter Xu Chongsi,and Jiang Tingxi best friend Ma Yuanyu,Jiang Tingxi respected painter on Jiang Tingxi's flower and bird painting aesthetic taste analysis to understand.The second chapter,also the key part of this paper,mainly introduces the "Jiang Genre" painting and the formation of the characteristics.This chapter focuses on the compilation of the books,the poems written by the poems and the paintings of the paintings.Jiang Tingxi has been an important position in the Yongzheng years and won the Kangxi and Yongzheng two emperors? admire.Through his whole life,Jiang supported the compilation of many bibliographies,and painting history while there was no record of his theoretical books in painting.But when he re-edited the "ancient and modern book integration”,the discovery of in chapter "birds and insects","vegetation code" made a certain impact on his painting.And there?s also some summary of his views recorded in the inscriptions on their paintings and verses.This section will structure Jiang Tingxi's verse and analyze his artistic creation point of view and the appreciation of the direction of painting,especially with the flower and bird painters which mentioned in the "Fu Zhengxi donated flowers long song to report",chasing its roots.The second section takes on the works of the previous section,which Jiang Tingxi's works on the style of his predecessors' poets and the works of painting and painting style of Jiang Tingxi's poems,including the former painters and the paintings of the same period Friends and colleagues,especially the same period of Chinese and Western painters in the painting characteristics of painting style.Jiang Tingxi learns the ancients' method of how to use the brush,draws on the techniques of many masters,integrates the ideas of all the people,combines his own understanding of the painting,and forms his own painting ideas.This chapter mainly uses Jiang Zhenxi's example as an evident.The third section focuses on the formation of the "Jiang Genre" flower and bird painting style features,summing up their works mainly show three different styles: one is the beautiful and prosperous palace flowers and birds painting with the "minister stamp" works.The second is the most "Jiang Genre" flower and bird painting characteristics,light ink outline flowers outline,tip,leaf back ocher mutual penetration,leisure and recreation for such works for the Jiang Tingxi painting features.It is the very foundation and remark of Jiang?s works.The third is to set the color in a really elegant way,especially the use of white powder dyed plum blossom flower painting,while such works are mostly regarded as forged or Jiang's students?,friends?(Ma Yuan Yu,etc.)work not his.Therefore,the author analysis that from their painting ideas and examples of two aspects of the combination to be discussed,and state that "Jiang Genre" flowers and birds painting inside and outside the palace painting characteristics.The third chapter mainly discusses the inheritance of the "Jiang Genre" flower and bird painting and its influence on later generations.This chapter is divided into two chapters,one is the analysis of the disciples of Jiang Tingxi(such as Jiang Pu,Zou Yuan Dou,Ma Yi,Yu province)and the impact of later generations.The second is the analysis of the inheritance and change of the "Jiang Genre" flower and bird painting,including the inheritance of ocher painting and the influence of western painting and its use in the works.From the above research,for Jiang Tingxi's "Jiang Genre" palace flower and bird painting style and inheritance and development have a more clear outline.