The Imprint Of The Tool On The Craftsmanship Of Liangping Woodblock New Year Paintings

Liangping,Chongqing,woodblock New Year painting is one of the Liangping folk art "three absolutely"(bamboo curtain,New Year pictures,Lantern),originated in the Ming Dynasty Jiajing years,has about three hundred years of history,and Sichuan Northwest Mianzhu New Year,Of Jiajiang New Year par,and known as the "three major New Year paintings in Southwest." Its simple and crude style,unique style,with strong local characteristics,reflecting the high artistic value and rich cultural connotation.In2006,approved by the State Council,was officially included in the first batch of national intangible cultural heritage list.As a national-level intangible cultural heritage,the Liangping woodblock New Year paintings have a very high research value because of their unique regional characteristics and heavy cultural heritage.Moreover,due to the changes of social structure and living environment,the impact of modern technology,shrinking sales market,The loss of engraving,the serious degradation of craft and so on,which made the inheritance and rejuvenation of Liang Ping New Year paintings facing great difficulties.As one of the most representative intangible cultural heritages in the Three Gorges area of Chongqing,Liangping New Year paintings have received much attention from the academic circles.However,the tool of Liangping New Year paintings is regarded as a single individual,which research is still relatively weak.This paper chooses the national-level intangible cultural heritage Liangping New Year painting tool,carries on the pertinent investigation and the research,on the basis of the literature method,uses the field investigation method,carries on the collection to the existing tool,obtains the fresh vivid primary sources,The Liangping New Year paintings on the status quo for the survival of a time node records.At the same time,collect the tools from the size,structure,principles,work patterns and other aspects of a detailed record,the establishment of Liangping woodcut New Year painting tools database for tooling records and protection to provide data protection.Also from this point to the surface,forthe relevant theory of the process to provide valuable cases.On this basis,through the longitudinal comparison of tools,tools of past life and life were compared to observe the historical development of technological progress with the changes can also be found through the study of Liangping woodblock in different historical stages because of different The level of the tool to show the different state;horizontal contrast will be different regions of the New Year painting tools to compare the tools of the differences with the New Year pictures and styles linked to explore the artistic works and artistic creation behind the instrumental rationality of art The difference of the effect of the works can not only deepen the theoretical value of the tool in process research,but also provide a new idea for the study of image science and style in New Year paintings.Through the analysis and sorting,we found that the tools used in Liangping woodcut New Year's Paintings,especially the cutting tools,have high processability in terms of their materials,shapes and functions.The materials are local materials,convenient for updating,simple and easy to shape.Production,functional and targeted,in the design of the use of ergonomic,user-friendly design,modular design and other modern design ideas,tools can also be seen as artisans handmade with a certain value of handicrafts.In addition,by comparing with other New Year paintings,we found that the tools used in Liangping woodcut New Year paintings have strong regional characteristics,including the unique characteristics of wooden handles,triangular knives,knives and other tools,which lead us to different Reflections on the Influence of the Differences in the Artistic Style of the New Year 's Paintings.We also found that some of the exercises and laws of different tools,including the trace of the tool,the texture of the wood,and the nature of the paper,provide some strong evidence for the above-mentioned thinking.