Study Of Ci Poem Of Ningbo District In Early Qing Dynasty

Regional literature research has been into a hot topic in recent years,and the work from different regional literature research has also had great achievement..Nowadays there have been many monographs and some papers to dig and discusses in depth about Ningbo poems in the Qing dynasty.However,when it refers to specific classical ci,there are few researchers.Even if there are some papers to the discussion of poem for single,but for Ningbo poetry reveal,it is still a drop in the ocean at the beginning of the Qing dynasty,not to mention the overall appearance.In view of this,this article attempts to start from microscopic to Ningbo on the ci poet as the center,based on the first-hand literature related to ci poem from the basis of the related research results,in combination with the era background of the Ningbo local culture and the early Qing dynasty,this paper discusses the subject of Ningbo's ci poet and ci poem's content and style in early Qing dynasty,as much as possible in order to tease out all kinds of writing features of ci poets in early Qing dynasty,and ultimately determine the overall value of ci poem.This paper mainly contains the following content:The introduction section is the discussion of the definition,the significance of this selected topic,the research status and method in early Qing dynasty about the Ningbo's poets,which involves the "early Qing dynasty" "Ningbo" of the two concepts,as well as the existing relevant results summary.The first chapter is the comparison between Qian Sule and Zhang Huangyan's poetry.Qian Sule and Zhang Huangyan are both anti-Qing hero poets,the poem looks like the same but there are a lot of differences.This chapter firstly briefly introduces the life of the two poets;secondly,it analyzes the relationship between Qian Sule and Zhang Huangyan,but the specific elements of emotion are not the same,and the essay discusses the characteristics of Qian Sule's creation of graceful poem.Then introduced the same and difference between their poems.The two poets are also known as the bold poem,but the style of Qian Sule's poet is very powerful like Long Chuan.And Zhang Huangyan's poet is powerful and graceful,like Jiaxuan.Finally,the author summarizes the similarities and differences between the two poets,and make sure the use of allusions Zhang huangyan is better than Qian sule.The second chapter discusses the poems of the descendants of Qian Guangxiu and Gao Yutai.The first section discusses the creative features of Qian Guangxiu's poems in different periods.Qian Guang embroidered creation due to the variable difference,on the whole the different words greatly reflects his poetic mood youth life,the style of his poems are graceful and restrained,in the late time,it reflects more of the feeling about home life of the decay,the style of his poems are painful and sad.In the second quarter,the author discussed the creation of Gao Yutai's poems,and summarizes the poem on a solemn tragic style,and the rhyme of the poem has homology original word,appeared to explore his creative features.The third chapter discusses the folk poet——Fang Sangzhe's poems.Firstly,analyses the subject content in Sang Zhe Xin Ci,the author thinks record articles landscapes and rides are the two major themes is the main subject in?Sang Zhe Xin Ci?,and to detect a part of his life.Secondly,discussed the artistic expression of it.Trying to summarize the artistic achievements of Fang Sangzhe from the three aspects of the expression of "wine" and "madman".His narrative form depends on the transition from paragraphs to words,passionate style.The conclusion summarizes the whole text,further discussed the overall value and deficiency of the poets on the early Qing Dynasty in Ningbo,and analyzes the reasons.