An Analysis Of The Comprehensive Exhibition Forms Of Printmaking

The article mainly discusses the history and present situation of printmaking art in exhibition form,and puts forward the possibility and necessity of using comprehensive exhibition form.The first chapter,I take the time and geographical clues to discuss the development and exhibition of prints in the form of different period,divided into the part of Chinese ancient prints,prints,China emerging after the establishment of new Chinese prints,prints and since 80 s in Japan and the West several prints.In the second chapter,from the three aspects of material technology development,spatial diversity and concept breakthrough,the possibility and necessity of comprehensive exhibition form are discussed.The third chapter is the conception and process of using the comprehensive display form in "the old street impression".Through the above discussion conclusion: comprehensive exhibition is the possibility and necessity of the form,through a variety of display forms can make the concept of printmaking itself to expand and extend,it can make prints with a broader space for development.