Comprehensive Analysis Of Shandong Oil Painting From The National Art Exhibition

Since the reform and opening up,with the rapid development of China's national economy,the continuous development of cultural undertakings,contemporary oil painting has also been a huge development.There is no doubt that this kind of state-led large-scale exhibition form,the prosperity of contemporary art played a very big role in promoting.But people in the rapid development of social culture,the various ideological in-depth study,and gradually formed their own views on the activities of the system,especially in the past few years for the selection of rules,the choice of standards,operational mechanisms and the existence of the rationality of the exhibition have put forward a lot of sharp doubts?Because this form of exhibition itself and the art of painting is not coordinated,from the perspective of artistic development,these exhibitions in the academic negative effect is greater than the positive effect,and the detailed analysis of the National Art Exhibition has a certain significance of the world,but also on the development of contemporary Chinese oil plays a vital impact.Shandong oil painting began in the 1950 s,after more than half a century of development and evolution,the emergence of a large number of outstanding painters,they learn from the absorption of Western painting elements,integration of traditional creative techniques,created a large number of outstanding works for the development of Shandong oil painting into a new vitality.Shandong image oil painting is the product of Qilu earth and its civilization,which is the majestic mountains and rivers of the mountains,the Pentium of the Yellow River,the vast sea,the broad culture of the Qilu common.Shandong oil painting in the long run-in process,and in the process of blending the spirit of Qilu culture,and gradually embarked on a Chinese traditional cultural connotation and suitable for its regional characteristics of the image of the oil painting road.The paper mainly summarizes the purpose and significance of this thesis and the current research status of Shandong oil painting.The first chapter discusses the theory of image and the development and analysis of oil painting and oil painting in Shandong,and paves the way for the later research.The second chapter mainly discusses the cultural characteristics of Shandong.Through the analysis of Shandong's unique natural geographical environment and unique cultural heritage,it reveals the inherent foundation of Shandong's artistic oil painting.The third chapter is the focus and difficulty of this paper,and the image representation of Shandong oil painting is discussed in detail from three aspects.First of all,through the review of the development history of Shandong oil painting,the author analyzes the causes of the development of Shandong pictorial oil painting.Secondly,it discusses the image representation characteristics of Shandong oil painting from the aspects of subject matter performance.Finally,the author discusses the imagination of Shandong contemporary artists performance.The fourth chapter makes a prospect and thought on the development trend of Shandong oil painting and puts forward some suggestions: the combination of nationality and modernity and the promotion of Shandong art academy to image oil painting.Finally,the summary of the full text: should strive to improve their artistic accomplishment,concerned about the community,concerned about reality,to create a new form,thought of profound works of art,to promote the image of oil painting to a deeper level.