Northern Shaman Impact Modeling Concept Art Of Animation

The mythology in Heilongjiang valley is a branch of the great system of Chinese mythology.It is based on the belief of the ancient ancestors' beliefs.According to the archaeological speculation,the myths are born in the long river and become a part of the Chinese culture.Chinese history,the northern peoples such as Jurchen,Xianbei,Huns,etc.They have their own people believe in the myth,as well as their national worship.Paper-cut art is a tool to serve the shaman's sacrifices.At the time,these works of art are not aesthetic,but these original shapes exert irresistible artistic features and the essence of beauty.These materials are the creation of Longjiang's paper-cut art And development has played an important role in promoting.In fact,Longjiang paper-cut art is not simply reflected in the paper,in their respective national patterns,clothing,headdress,including totem will have the expression of paper-cut elements.The myths in the Heilongjiang valley are mainly from the northern fairy tales circulating in the Heilongjiang valley and the story of the folk myths in the Heilongjiang region.It is absolutely feasible and effective to study the influence of the myths of the Heilongjiang valley on the folk papermaking in this area.This paper first elaborates the mythological concepts of the ethnic groups in the Heilongjiang valley,and summarizes the mythological concepts advocated in the Longjiang valley.The mythological concepts is our ancestors through summing up the natural and life,it contains world view,cosmology,philosophy what people give the life,but also contains people's vision of a better life and expectations.Secondly,this paper introduces the distribution of mythical paper-cut in the Heilongjiang valley,and mainly introduces around the Fangzheng,Lanxi Han nationality paper-cut,Manchu,Hezhe,Oroqen shaman paper-cut,etc.The origin and development of paper-cut in Heilongjiang valley are described.The myth of this basin is also based on the beliefs and totems of each nation,And the preparation of their own nation's national myth,the first people tend to record them in their own national dress,totem,there are shaman mask shape and so on.This paper highlights the Heilongjiang rock paintings,ethnic costumes,traditional paper-cut,shaman mask and other representative of the shape.On this basis,this paper further classifies the rich connotation of the mythical paper-cut in the Heilongjiang valley,which is divided into three categories,the creation mythical paper-cut,natural mythical paper-cut,animal and plant mythical paper-cut,and further elaborates the relationship between Longjiang mythology and Longjiang paper-cut and its influence.Finally,this paper explores and expounds the significance of the development of Heilongjiang local culture in the mythology of Heilongjiang valley.Nowadays,the artistic requirements of the aesthetic and spiritual aspects are gradually improved.People favor the works of traditional culture and modernity.In many paper-cut works,we can find the elements of the original mythological art.China's Heilongjiang Province,the mythology of the watershed gave Longjiang unique charm of the Longjiang paper-cut art creation of the diversity of forms of mythology in the gods and their sacrificial tools for Longjiang paper-cut creation provides valuable resources.Longjiang River Longjiang paper cutting mainly distributed in Helen,Founder,Lanxi,Daxinganling and other ethnic groups,and according to the local national totem,and the original culture has its own nation worship myth and advocate modeling.