A Conductor' S Deconstruction And Interpretation Of Liu Yuan's The Legend Of Sadir

The Legend of Sadir,also known as Uyghur Tone Poem,is a composition by composer,Liu Yuan,based on the heroic exploits of an eighteenth-century hero of the Uyghur nationality,Sadir.It composed of the Uyghur folk song melody and the integration of the wooden card rhythm to create.In the creative method,music structure and rhythm sound effects are all pioneering and innovative significance,which opens up new ideas for the creation of Chinese national orchestral music.The work was awarded the silver Medal of China's first "Admiralty Award" in 2001.From the perspective of music creation,it is the first time that the composer has fused the western composing technique with the characteristics of the ethnic music in Xinjiang to create the music suitable for the Chinese National Orchestra,which is of typical significance in the creation of the national orchestral works with the theme of the music style in Xinjiang area.This thesis focuses on two aspects of the study of The Legend of Sadir: The first is the analysis on the music structure of The Legend of Sadir.Through interviews with the composer himself and the data collection,the paper comprehensively elaborated the composer and its creation background,including the Liu Yuan's music Growth Road,the individual work influence and the creation idea and so on content.In order to comprehensively explore the origin of the creation of The Legend of Sadir,and on this basis,the works are analyzed in detail,including the rhythm,speed,intensity and emotion of each paragraph of the work.Through analysis,I think that The Legend of Sadir is a three-degree sound as the main elements of the work.Its musical form structure is sonata,but it broke the traditional sonata style of Classical mode.Moreover,it develops and innovates in the structure of creative and music changes.Secondly,from the perspective of command rehearsal,the author expounds the command interpretation of the work.As a conductor of the students,from the perspective of command and rehearsal,the author gives some suggestions on the difficult points in the command skill,and analyzes the key points of the important points which need attention in rehearsal.Through analysis,I think that the correct command action can better lead the band to show the speed and intensity of the work mood changes,to understand the work of the orchestra in the rehearsal of the error points and playing a difficult point,which can better lead the band interpretation of the whole work.I intend to pass the research of this paper to explore how to lead the band to interpret and annotate t the whole work in rehearsal,and to better show the Uyghur music style thatthe composer wants to express,which can lay the cornerstone for the development of Chinese national orchestral music to contribute our own strength for the deep research of future generations.