On The Second Annotation Of National Rhyme In Ancient Poems And Songs

Chinese ancient poetry and songs came into being in the 1920s and 1930s,this art form has a national style with Chinese characteristics.Countless poets work like bright stars,dotted with a long history and rich heritage of Chinese poetry Galaxy.In the past,we did a great deal of simple analysis on the works and singing skills of classical poetry songs.However,the analysis of the different aesthetic qualifications expressed by the classical poetry works and the classical poems with different contents appeared in different stages.Therefore,based on the study of ancient poetry and songs and the use of "Guanju","Yueren Ge" and "Changxiangzhi" as an example,this article explores the "rhyme" in ancient poetry songs and the comprehension of"rhyme" A great deal of information is read and the spectrum analysis is made on the way of deduction.At the same time,the author also makes a second interpretation of the folk rhyme embodied in ancient poetry songs by "Guanju","Yueren Ge" and"Changxiangzhi".This article focuses on the resonance of Chinese ancient poetry and national vocal music,and analyzes the different interpretations of contemporary famous singers who have interpreted many of the ancient poetry songs.In conclusion,the author hopes that this research result will make more and more people pay attention to our traditional culture and discover the charm of ancient poetry songs.