| Ye Guangqin creation started in the early 1980s,when her works have not yet attracted the attention of the literary world.It was not until August 1994 that she published a short story "It Is Same Root" before being uncovered by a few commentators.Since then,she has written a series of novels on family themes.From the "Picking Mulberry" in the 90s to the novel "Family Fate" and "The Matchmaker"in the new century,these novels mainly focus on family stories and show their daily life.The unobtrusive narrative attitude and witty language style,won the majority of readers' love.The family novels are the most characteristic parts of the compositions of Ye Guangqin.Through systematic study of Ye Guangqin's family novels with the help of literary,cultural and sociological theories,the author finds out that the aristocratic spirit's publicity is consistent throughout her family novels and becomes the heterogeneous factors of other family novels in the history of literature.The thesis holds that Ye Guangqin's family novels have a strong "aristocratic spirit" and show a distinct aristocratic spirit.This aristocratic spirit has been multidimensional in the novel's text.It takes material life as the carrier and spiritual life as the core.At the same time,the family novels of Ye Guangqin also reflect the characteristics of"civilian temperament" and show some recognition of the common people's spirit.However,this civilian spirit is based on the spirit of the aristocrats.Its inclusion of the spirit of the common people makes the spirit of the aristocrat more fulfilling,reflecting the inclusiveness of Chinese culture.The body part consists of three chapters.The first chapter discusses the multidimensional manifestations of aristocratic spirit in Ye Guangqin's family novels.By defining the definition of daily life,it points out that the aristocratic spirit not only includes the material life such as human daily necessities,daily necessities of life,but also includes daily entertainment,customs and etiquette and other spiritual life.From the perspective of daily life into the novel,material life and spiritual life from the two dimensions of Ye Guangqin family argumentation aristocratic family writing in the spirit.The aristocratic spirit exhibited by the characters in the material life is not only reflected in the aristocratic pursuit of exquisite and extravagant materials in the aristocratic house,but also in the aesthetic pursuit of the simple substance by the declining aristocracy and the civilian population.It can be seen that the essence of aristocratic spirit is not whether the material is luxurious,but rather the novel elegance,serious attitude to life.The aristocratic spirit exhibited by the characters in the spiritual life is not only reflected in the elegant daily entertainment activities of the aristocratic family,non-utilitarian daily activities,abiding by the traditional routine etiquettes but also in the daily life of ordinary people,showing that the essence of aristocratic spirit is not based on the level of identity,but rather the inner core of the spirit:beyond,freedom,noble.In addition,by discussing the relationship between the spirit of the common people and aristocrats in Ye Guangqin's family novels,it is pointed out that aristocrat spirit is more tolerant and enriches connotation.The second chapter discusses the background of the generation of aristocratic spirit in Ye Guangqin's family novels.This part elaborates from the aspects of race,environment and author in the light of the theory of "race,environment and times decided art" combined with the theory of literature and art proposed by Dennis "Art Philosophy".Chapter Three compares Ye Guangqin's family novels with other family novels,pointing out that her family novels have the characteristics of "aristocracy",which comes from the aristocratic aesthetic consciousness of the author itself and the participation of aristocratic spirit in her creation.The heroic spirit of Ye Guangqin's family novels makes the novels different and has many values.The novel,which is novel and elegant in content,fills in the blank of the writing about aristocratic life in the family novels,breaks the dualistic paradigm of family novels and reconstructs the aesthetic standard of literary judgment.In terms of form,she also formed her own unique novel style.The conclusion summarizes the literary creation experience of Ye Guangqin's family novels and its reference to the contemporary literary world,and points out the shortcomings and limitations of her creation. |
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