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The Evaluation And Analysis Of Pipa Concer To The Prairie Hero Sisters

Posted on:2019-04-08Degree:MasterType:Thesis
Country:ChinaCandidate:Z C LiFull Text:PDF
GTID:2335330548954128Subject:Music
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Since the beginning of the 1970 s,Chinese music creation has entered the stage of exploring the integration between China and the West.In particular,the Chinese traditional musical instruments have ushered in the trend of thinking that combines "local" and "foreign".Since 1959,Mr.Wang Shu has created the first Pipa narrative symphony piece "Danish Ambush",and by the beginning of the 1972 concerto "Little Heroines of the Grassland" he has overcome numerous difficulties and made his way.It laid a stone for the "westernization" of Pipa,and at the same time greatly inspired the innovation of national musical instruments.The "Little Heroines of the Grassland" is a representative work that completed by Wu Zuqiang,Wang Yanqi and Liu Dehai.It is an in-depth combination of Chinese genre and Western folk musicits which has the significance meaning of milestone.The work was premiered in 1977.The composer wrote two parts of the two Mongolian sisters' heroic of saving the commune's sheep from a snowstorm through five parts: the pastoral pastures,fighting with the snow storms,marching in the cold night,remembering the care of the Communist Party,and the blossoming of the red flowers.Although these five parts are self-contained,they can be integrated.This article discusses the meaning and value of this work through four parts.The first part explains the source of the topic,the study content,how to do the research and the significances of this research.Knowing the backyard story of a particular music is extremely important for people to learn the work,since music works could reflect the characteristics of the times,and the characteristics of the times could also play a significant role in music creations.Therefore,the second part starts with the background story of this work and the origin of the musical elements to understand the three authors' creative purposes,and their understanding of the work's creative background.The third part introduces the reasons of using "Western is the Chinese" creative technique by exploring the work's background story.Then combines the creative techniques with the music ontology to analyze the beauty of this work.The fourth part starts with the influence effect of the works and explores the form of the westernization of the Pipa music and the added value of the works through the exploration of the artistic value of the works.At the same time,this article states the work's minorities element's diversity and uniqueness in the creation of this work.This article explores the value and significance of music aesthetics and music value to the music field and society through the three aspects of the creation of this work: creation process,the beauty of this work and it's article values.
Keywords/Search Tags:Pipa concerto, western in the Chinese, minority music, music values
PDF Full Text Request
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