Analysis And Thought On The Reorganized Pipa Chamber Music Wild Geese Over The Clam Sands And The Celebration Of Hakkanese Township Based On Western Fujian Hakka Ten Fan Music

Many excellent solo and ensemble works of Pipa are derived from the acquisition and transformation of traditional folk music and opera music.Traditional folk music and opera music are the precious nourishment for the development of new works.The instrumental ensemble form,because of its novelty and diversity,is widely loved by the masses,and Pipa and other instrumental music collide with each other,which can further demonstrate its unique personality and rich artistic expression.During my master's degree period,I tried to adapt two pieces of folk music--Western Fujian Hakka Ten Fan Music(which is also used as accompaniment music in opera),and adapted them into chamber music that combines with Pipa and other instrumental music,named Wild Geese over the Clam Sands and The Celebration of Hakkanese Township.And in the master concert,the art practice was carried out.Through analyzing and thinking about the two reorganized songs,this article summarizes the ideas for future adaptation.The introduction part of this paper explains the significance,method,current situation and meaning of this research.The first chapter introduces the Pipa chamber music and Western Fujian Hakka Ten Fan Music;the second chapter introduces the background of the two adapted songs;the third chapter analyzes and summarizes the adaption ideas;the fourth chapter refines the creative characteristics of two adapted songs;broaden the traditional structure of the Western Fujian Hakka Ten Fan Music;use the noise of national instrumental music to increase the expressive power;use Chinese musical drama thinking to enrich the traditional Western Fujian Hakka Ten Fan Music;The last part summarizes the adaptation and think about and look forward to the direction of future adaptation.In the practice of adapting the hometown music Western Fujian Hakka Ten Fan Music,I tried to conduct different possibilities and practice with two different styles of works,hoping to play the unique charm of the traditional Western Fujian Hakka Ten Fan Music,but also take into account the modern aesthetic,so that this music art,surrounded by the mountains of Fujian,can be renewed with brilliance after polishing.For the inheritance and development of traditional Chinese folk music and opera music,there is a certain commonality.I hope that this research and thinking can provide certain reference value for the development of Pipa chamber music,traditional Chinese folk music and Chinese opera music.