Study On The Succession Of Mao Yi Qin Musician Chop Of Traditional Guqin

This article,taking the perspective of the study of art as the starting point,combines the multidisciplinary research methods and theories of sociology,economics and cultural anthropology,and takes the sixth Dai Qin people in Zhucheng and Mao Yi as a case to analyze the true meaning of the Qin man and the Qin tradition in ancient China,trying to sum up the history.The characteristics of the identity of zhuqin people,restoring the original appearance of the Qin man,verifying the superiority of the Qin tradition through the practice of Mao Yi,thus saving the increasingly low quality of the Guqin in the market,and providing a way for the development of the traditional Chinese characteristics.This article is divided into three parts.By comparing the personal qualities of Mau Yi and the characteristics of the ancient harp people,this article verifies the identity of Mau Yi man.Through the narration of the practice of Mao Yi,he explains his inheritance to the tradition of the Qin man.The compromise and the change of the main body indicate the value of Mao Yi's perseverance.The innovation of this article lies in a complete induction of the evolution process and the causes of the three main bodies in the history,and the comparison and analysis of its advantages and disadvantages.At the same time,it also summarizes the contribution of the Qin people to the creation and improvement of the Guqin at the same time in the verification of the existence of the three stages,and the innovation of the founder of the suburban temple music in the Ming Dynasty.The modesty of the nine virtues is the clue,from the ideal goal to the choice of means in series with the art and steps of Mao Yi,a complete description of the development and evolution of the Qin man from ancient times to the present,and the characteristics of the Qin man at all times.The contribution of this article is to fill the two gaps in the academic field.One has made up for the lack of research in Shandong province by describing the problem of uneven distribution in the area of the domestic research in Shandong.Furthermore,by summarizing the existing research themes of the Guqin at home and abroad,it is found that the main focus is on the history,culture,performance aesthetics,and acoustics test of the Guqin.Cheng Ding is the researchobject and has the function of supplemental Guqin research subject.Furthermore,through the selection of the industrial process as the research object,the connotation and extension of the folk handicraft culture industrialization in the subject are supplemented and reflected.