The Creative Language Of Oil Painting Transformed By The Embroidery Of The Qing Dynasty

Traditional culture is the precious source of Chinese contemporary art creation,and embroidery in Qing dynasty is a unique outstanding cultural heritage.It can be seen from the history of oil painting images,both oriental and western artists will be attracted by it,have been included in the theme of creation.Through the collation and development of the embroidery resources in Qing dynasty,this paper abstracts the cultural symbols and elements of the embroidery in Qing dynasty,and combines the traditional cultural resources with the oil painting creation to construct the art works which are in line with the contemporary aesthetic.The author used several years to inspect and visit a large number of folk collectors,collected a relatively rich,detailed and accurate first-hand information,this paper analyzes and combs the Qing dynasty embroidery elements in the history of oil painting art language changes,and from a case perspective in-depth discussion,thinking about how to convert its special elements into oil painting language.In the first chapter,the background,purpose and significance of the research topic,the research status at home and abroad,as well as the main research contents and methods are described,and the innovation points of this paper are emphasized.The second chapter is to analyze the unique artistic language of the embroidery elements in Qing dynasty from their paintings.The third chapter is to compare and analyze the color,composition and shape of the embroidery works in the Qing dynasty.The fourth chapter discusses the practice and creation of the art language of embroidery in the Qing dynasty.According to the subjective needs of the description of the object part to exaggerate and weaken,its unique form of aesthetic feeling and the emotional transfer of the description of the object has very important research value,but also to the traditional culture of a kind of inheritance and development.