| This paper mainly focuses on the research of architectures in paintings as its starting point,blending these two ample crystals of human civilization and making it in order and clearer.When architecture becomes the main element and the stanchion of a painting,what is the formation of such existence in the painting,what is its purpose,further,what emotion does it want to express? By researching on and concluding from these questions,this paper tries to figure out the traits of creative works which make architectures as subjects,analyse the ideology hiding in the back of these images,and most importantly,provide useful references to the author’s paintings by straightening out the creative thoughts.This paper elaborates the cognition of space and architecture integrated with the author’s life experience,extends such cognition to the art creation of the author regarding it as an important logic point in the author’s graduate work.Relying on the conclusion of architecture space,this paper burrows into the character of formation of either three-dimensional and two-dimensional space.The conclusion is to emphasis the significant of such research on space order,logic and formation. |