Aesthetic Experience Of New Century Inner Mongolian Chinese Prose

Inner Mongolian Chinese writing prose is an important component of the western prose,and it is also an organic component of Chinese contemporary prose.New century Inner Mongolian prose has plenteous creative achievements,contains abundant humansitic spirit and cultural trait.Also,it has a enormous team of author,there are good writers such as Xuqi,Suli,Yujjicong,Zhaorigetu,Anning,Heihe,Songshenggui,Yucuirong,Wangzu,Wuliji,Shuzheng,Yangxianping,Tianqicai,Yunzhen,Sunjunliang,Yangshuqing,Chenhuiming,Liangxiaoyang,Aweimuyiluo,Haoxiuqin,Luoqiong and so on.There are diverse textual characteristics and huge quantitity creative team of Inner Mongolian Chinese prose,but there are sparse comment of it,therefore,this article regards microcosmic perspective of aesthetic experience as entry point,takes further exploration of spiritual connotation and the author's creation psychology of Inner Mongolian Chinese prose,digs connotation of cultural aesthetics of it and self-conscious spirit pursuit of human itself.Inner Mongolian prose writers blend self life experience and life sentiment into prose writing,applying unique artistic expression,showing emotional,beingrich in content,deep sound foundation prose works.This article according to the creation themes of Inner Mongolian Chinese prose,deeply delves the author's aesthetic experience and internal affection from the prairie memory,native memory and urban experience three aspects,and then show the spititual implication and cultural pursuit of New century Inner Mongolian Chinese prose step by step.First part is aesthetic writing of the prairie memory,including charm reveals of the prairie style,aesthetic reflection of life consciousness,sincerely expression of grassland feeling and humanistic care of steppe ecology four parts.Compared with developed areas in central and eastern China,Inner Mongolia is relatively inaccessible and economically backward,but there are so much supernatural power and secret,contains ample art history,pregnanting physical relationship and spirit link between human and natural,human and society.The prairie style is the particular natural scenery,grand and magnificent natural scenery gives authors relaxed and happy natural feelings;life consciousness showing the “theory that man is an integral part of nature” ecological aesthetics from of old of grassland,thoughts and concerns about life is core expression of humanistic spirit of grassland.The expression of grassland feelings is attachment and gratitude to hometown of authors,it is the sincere respect and yearn for grassland mother;steppe ecology is hot topic for the last few years,the reflection and inrospection of InnerMongolian steppe ecology is directly manifest of humanistic care.The second part is present of native memory,including emotional associations between people and home village,local complex of“cherish the memory of someone and recall something”,poetic aesthetic of Utopia three parts.Local theme is always important motif of prose writing,Inner Monglian prose placed the hope on authors' homesickness.Because of the difference about individual growth situation,the emotional association between human and native can be divided into two kind: the close type and alienation type,there are different complex feelings about hometown.Cherishing the memory of people and recalling something is common in native narrative,people is kinsfolks and the things is the past things,authors of prose express their homesickness feelings in this writing process.Poetic aesthetic of Utopia is authors' idealzation aesthetic imagination,beautifying native is not blindly pursue and determined foil of authors,and it is the cherishing memory and recalling of lost life.The thired part is consciously expression of urban experience,including the emotional association between human and city,city stories and life realiation,the spirit of reflection on city civilization,insistance and departure between village and urban four parts.Emotional association with village and urban is isomeric,there are also close and distant feelings of it,but it highlighted is lonely feelings of drift in city;city stories and life realiztion is reflection that the authors look to the buttom of society.Focusing on life at the buttom of the city can make people deeply taste the hardship of city life and thus come to sublimation of life realization.Reflection of city spirit civilization is doublethink of ecological problem and human spitrit crisis in city and countryside integration process.Changes of social and economic environment result in the changes of literature aesthetic tendency.Since the beginning of the new century,the inspectation between countryside and city breaks binary opposition natural mode,the realationship between countryside and city from opposition to fusion little by little.Therefore,aesthetic judgement about it has breaken literature limit of either this or that and the bound begin to vague.The embarrassing exsit situation between countryside and city become normal condition of farmers.They are caught in the embarrassing situation that be unable to go back and have difficult blend into city at the same time.The insistance and departure between countryside and city become the new aesthetic lightspot of Inner Monglian prose.