Exploring The Roots Of Nationality That Make The Japanese Writers Created A Lot Of Literature Of Aggression Against China

In the late nineteenth Century and early twentieth Century,due to the impact of the world modernization,Japan began to carry out modern transformation.The success of a series of reforms made the economic and military strength of Japan greatly improved.Militarism was also creeping in Japan.By 1930 s,Japan launched a large scale of aggression and expansion.China is the symbol,and the war of aggression against China broke out in1937.With the expansion of the war,the Japanese literary world was also influenced by the Japanese fascism.From 30 s to the middle of 40 s,a large number of invading Chinese literature was created with the "pen force" as the main force.Cultural aggression and military aggression were parallel and collaborate with each other.These works of invading Chinese literature describe the Chinese people in an extremely ugly and distorted way,and they strongly praise and praise Japanese aggression.During the war of aggression against Japan,Japanese writers collectively held the blind mentality of "literature serving the country",and Japanese society also entered the state of "all soldiers and soldiers".From the perspective of human justice,reason and conscience,the Japanese invasion of Chinese literature in the war period is unjust,full of evil and atrocities,and should be strongly condemned and criticized.However,the production of these literary works covers many factors,such as history,war,politics,literature,morality and nationality.We should follow the phenomenon of the literature of invasion of China,follow the narrative and description of the writers on the premise of its political nature,explore the deep connection of the deep thought of the Japanese national thought,explore the profound national origin behind the phenomenon,and understand the traditional cultural culture of the Japanese nation in a more comprehensive and scientific way.This paper first expounds the emergence and expression of the invadingChinese literature.The thesis combs the germination and infiltration of the thought of "invading China",the expression of the early literary creation,the representative of the invading literature,the creation of the "pen force" and the creation of its invading literature,and the analysis of the reed and the soldier Trilogy by the representative writers.It illustrates the whole process and performance of the formation of Chinese aggression literature.Secondly,from the perspective of "family state" and "community",it explains the causes of the literature of invasion of China.From the perspective of Japan’s national origin,the paper interprets the concept of "family state" and the dominating role of "community" consciousness in Japanese national ideology.These two ideas are embodied in the modern Japanese state-the establishment of the emperor system,and the "lock state" of the traditional Japanese culture,which have a root influence on the formation of modern Japanese thought.Going deep into the national and national level,we can see the essence of the national origin behind the phenomenon of the invasion of Chinese literature.Finally,it expounds the succession and tolerance of Japanese thought-the unstructured "tradition",which also plays an important role in the birth of the literature of aggression against China.Japanese culture has the characteristics of being mixed and highly inclusive,which is very different from the "historical structure" of Oriental traditional culture represented by China.In the special society parallel to the "emperor system" and modernization,Japanese literati,on the one hand,accepted the advanced "freedom" thought in the west,and on the other hand,they showed extreme national ideas in the literature of aggression.Therefore,the relationship between Japanese invasion literature and Japanese unstructured "tradition" is very close.