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From The Singer Cecilia Bartoli's Singing To See The Voice Training Of The Mezzo-soprano

Posted on:2019-03-22Degree:MasterType:Thesis
Country:ChinaCandidate:X HuangFull Text:PDF
GTID:2335330566459808Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
In the history of the development of bel canto,compared to the soprano,the mezzo-soprano has fewer works and fewer talents,and there are only a handful of mezzo-sopranos in international music.With the continuous progress and development of the society,vocal music art has been moving forward,and the research on female singing voice has been deepening.Italian singer Cecilia Bartoli,as a leader of mezzo-soprano,not only breaks people's understanding of traditional mezzo-soprano,but also elevates the singing technique,the difficulty of singing works and the singing style to a new height.Bartoli has a very serious attitude towards singing,hoping to make the audience feel the inherent charm of the work.She not only has the unique masculine and profound,but also has the rare flexible and changeable voice.Her singing has a profound influence on the understanding of mezzo-soprano,which is also worthy of learning and studying.The research significance of this paper is that the author makes a few comments through the research of Cecilia Bartoli's art roads and examples of singing works and the analysis of the voice technology more understanding and approaching Bartoli's art world,thus summed up the Bartoli's sang the understanding of the technical characteristics of mezzo-soprano voice training.The paper is discussed from five aspects.In the first part,from the first time in 2013,the author saw Bartoli in person and enjoyed an audio-visual feast,which deepened the interest in the in-depth study of Bartoli.The second part is the history of vocal music mezzo-soprano singer Cecilia Bartoli,from early childhood with a good vocal music education,career and achievements,Bartoli talk about "singing" and art partner in the eyes of Bartoli,combs the life and singing career of Bartoli,which pave the way for further exploration.The third part,according to the classic examples of Bartoli's records,respectively analyzing the arias of the three operas,"Agitata da due venti","Cruda Sorte”," Ah non credea mirarti”,describes the effect,feeling andspeed of the work,and then evaluates music,and have a deeper understanding and feeling of the works through practice.The fourth part analyzes the characteristics of Bartoli's singing skills in detail from five aspects: the use of breathing technique,superior range,the diversity and individuality of the singing tone,the use of coloratura technology,singing state.The fifth part,making some thoughts on the technical training of mezzo-soprano,including the the plasticity and possibility of the growth stage of mezzo-soprano,difference between mezzo-soprano and soprano,the inspiration of Bartoli's singing to the basic training of mezzo-soprano.The consideration of the problem is not only meaningful to my study,but also makes the contemporary young vocal learners have more specific learning goals.
Keywords/Search Tags:Cecilia Bartoli, mezzo-soprano, singingskills, voice training
PDF Full Text Request
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