| The Taoist word in the Jinyuan word is a remarkable literary phenomenon,but in addition to individual poets such as Qiu Chuji,other full-minded poets in the Republic of China before the study has been almost no attention.And until the last century 80's theory of the whole word gradually rise.At present,the study of Quanzhen Ci is still facing the dilemma.The study of the whole real words is still focused on the fields of "pure literature" such as literary characteristics,writing techniques and creative ideas.As for its literature carrier,text form and culture,religion and so on The occurrence of interactive attention is also less in-depth,need to continue to add.This paper is mainly from the following aspects: The first chapter introduces the word music of Quanzhen Ci,and points out that some of the poems are important folk songs for the folk songs,and Wang Chongyang and Ma Yu's poems are also important for discussing the early performance forms of lotus flowers.In addition,all the lyrics in the singing "La miles" for the study of the origin of La Li also have important value.In the second chapter,the author introduces the unique metrical law of the true and true words from the perspective of phonology,and studies the characteristics of the special rhyme such as the Tibetan word,the Fuzhuang monoclinic bridge,And the phenomenon of flattening is discussed,and several special rhyme methods are analyzed.The third chapter mainly starts from the literature,introduces the study of the version of the real word and the method of collating the two kinds of rhyme words,and corrects the collating errors of the part of the whole word.This paper points out that the true word is not a purely literary text,and it is inevitable that it is inevitable to treat the information with a literary perspective.The vocals and metrical words of the true word have important influence on their literature.The different forms of its carrier lead to different difficulties in document collation. |
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