On The Female Image In Zidishu

Zidishu is a kind of special rap art in Qing Dynasty,which is also called the “Zidishu of the Bannermen” due to the fact that its participants were mostly Bannermen.Its expression is very elegant with the gentle voice.It is also divided into the Eastern City Tune and the Western City Tune.Zidishu was prosperous in the capital city in Yongzheng and Qianlong period,and reached to its peak in Qianlong and Jiaqing period.Eventually,it disappeared with the fall of the Qing Dynasty,which lasted nearly 200 years totally.The Complete Works of Zidishu is compiled by Huang Shizhong,Li Fang,and Guan Jinhua,and is published by the Social Sciences Literature Publishing House.Taking this book as the research object,this thesis starts from the chapters involving the females to explore the significance of the female image,female shaping,and the female image in Zidishu to Manchu and Han culture.This thesis conducts the narration from the aspects as follows:Firstly,it is to clarify the research content and the current situation of the academic circles,introduce the basic meaning and the research scope of "Zidishu" and "female image",and summarize the female image in Zidishu(the relevant tables are listed).Secondly,it gives a basic overview of the female images in Zidishu.It expounds from the following two aspects: the concrete expression of the female images in Zidishu and the classification of the female images in Zidishu.Thirdly,it explores how to shape the female images in Zidishu.It focuses on many narrative methods in shaping female images of Zidishu.Fourthly,"intertextuality" is often used in novels.However,this thesis holds that the chapters involving females in Zidishu also have the characteristics of intertextuality.Moreover,it explores slightly the female image in Zidishu from three aspects,including the intertextuality of the text,the intertextuality of character shaping,and the intertextuality of the writing style.Fifthly,Zidishu is the blending product of the Manchu culture and Han culture,among which the female images have the characteristics of Manchu and Han nationality.From these female images,we can not only see the inheritance of Manchu culture at that time,but also see the innovation under the integration of Han culture.However,up to the present,Zidishu has not yet entered the mainstream literature history of China.Starting with the "female image" from Zidishu,this thesis makes an attempt to explore the path of continuous blending of Manchu and Han culture.