Research On YaMing's Landscape Painting

In the 20th century,the Chinese painting circle was in a period of social and cultural transformation.Under the external pressure of "western learning spreading to the east" and the internal agitation and intersecting force of anti-tradition since the May 4th movement,Chinese painting was impacted directly,which also promoted the reflection and dynamic response of Chinese painters.After the founding of new China,a group of painters took root in the pulse of traditional Chinese painting and devoted themselves to presenting the new landscape of the motherland under the new society.The responsibility,mission,responsibility and passion of these painters is an important factor that we should not ignore when studying the paintings of that period.It is these painters who have been actively and valuably exploring landscapes and figures for a long time that have made their art and life successful and made some of them very influential painters in the history of landscape painting in the 20th century.Ya Ming is one of the art figures worthy of attention.His painting creation is also an art phenomenon that cannot be ignored in the study of the history of landscape painting in the last century.Ya Ming is not only an art seeker with innovative spirit and enterprising spirit,but also a painter with comprehensive cultivation.He is good at both figure painting and landscape painting.As a master of contemporary landscape painting.Ya Ming pays attention to drawing nutrition from tradition,drawing on the painting philosophy of Xin 'an school of painting and Shi Tao,and strives to make breakthroughs and innovations in the collection of traditional paintings.When he is "ink with The Times"practitioners,inheriting the traditional at the same time,grasp the pulse of The Times,"view".attach importance to natural imitation,so its landscape painting works has a distinct flavor of The Times and self,to form the landscape painting from the traditional to the modern transition made positive and effective exploration.Throughout Yaming's landscape paintings,his works mainly focus on the description of real landscapes.However,he is not the rigid "description" of natural landscape,nor created by the realistic concept of western painting,but the regeneration and creation of Chinese painting in the new era with the tenacious vitality of freehand brushwork.He tried to "break the peak long line" combined with center,side peak modeling,rich and varied ink,powerful brush,has become a system,zhuoran a,enrich the landscape painting form language and artistic expression of tension.It can be said that Yarning,to a certain extent,expanded the aesthetic vision and expression space of contemporary landscape painting,formed a self-expression based on national tradition,and further enriched and developed the new Jinling school of painting.As one of the nine old three masters" in Jiangsu province,he undoubtedly made a great contribution to Chinese landscape painting in the 20th century.However,up to now,the research on his landscape painting in the circle of fine arts theory still needs to be deepened.This paper takes Yaming's landscape paintings as the research object.In addition to collecting Yaming's painting materials,theoretical research materials and Yaming's self-narration,the author also visited the relevant staff of Yaming art museum,so as to have a comprehensive,three-dimensional,rich and in-depth understanding of Yaming's landscape paintings.This article is divided into three chapters,the first to Yaming life experience and the art of landscape painting style causes were analyzed,and then the different periods of landscape painting works,and explore Yaming at different stages to tradition,to nature and landscape painting of change,so as to further understand the art of Yaming painting creation idea and artistic spirit,Yaming's landscape painting art characteristics is analyzed,the last chapter analysis Yaming landscape painting artistic achievement and its impact on new Jinling painting.In the context of the new era,Yaming made valuable practice on the subject of "shoucheng tuo xin".In fact,his landscape painting creation itself is a process of continuous promotion and exploration.The author's research on Yaming and his landscape painting is not only the excavation of his personal artistic achievements,but also the exploration of the intervention of traditional landscape painting in contemporary art,which has important inspiration and reference significance for the creation of Chinese painting at present.