Comparative Study On Different Versions Of Chopin's Piano Concerto In E Minor

Friedrich francois Chopin(1810 ? 1849)is the representative of European 19 th century romanticism music,and he is also the Polish composer and pianist.Chopin's piano works are numerous,and most of them are piano solo works.Chopin did not write much for the orchestra,and his two piano concerto(f minor and e minor)were an early attempt at this field.Chopin's concerto,although using the classical concerto genre,but his concerto is different from the classical concerto.Chopin in their own way to manipulate the band and the relationship of the solo instrument,in Chopin concerto,the band and the principle of competitive play piano is not so strong and clear the classical period,Chopin,greatly increasing the piano concerto "leading" role,let the role of the piano plays a dominate the whole orchestra,whereas the orchestra here just as a solo voice foil on harmony,have the effect of rendering music emotion."Piano concerto in e minor" now have many versions of the recording,the author in the detailed analysis of the contents and forms of the concertos,also has chosen three versions:Krystian Zimmermann and festival orchestra,Cong Fu,Poland and Warsaw symphony orchestra,the 17 th session of Chopin's piano competition winners – SeongJin Cho and version of the Warsaw philharmonic symphony orchestra recording analysis and comparative study.This article mainly carries on from three aspects,the first,carries on the introduction and the analysis to Chopin life and the concerto.Second,from the speed,strength,fingering,rhythm,pedal use is given priority to,compare the three versions recording style of music expression,the understanding of the concept,and examine each performer processing works unique.Third,the context of the history of music interpretation to explore different versions of the recording of significance,but also for the future of playing and teaching,and provide more help and guidance on the music processing.