A Study Of Chopin's Piano Concerto

The subject of the thesis is Fryderyk Chopin's?Piano Concerto No.11?&?Piano Concerto No.21?.Based on the formal analyses on texts,the author attempts to investigate Chopin's personal music language,aesthetic tastes and compositional perspectives.Further,the piece is returned to the time frame of composition to demonstrate various social meanings,through interchanging the by-then historical background,social statues and ackg cultural thoughts of meantime.During the process,the author incorporates the angle and methodology from cultural anthropology,which based an analysis on historical development,yet considers multi-layered-and mu-angled-thoughts.This thesis is constructed around the analysis of musicology.This thesis consists of prologue,body and conclusion: Chapter 1 observes the historical and cultural foundation from two directions-macro cultural visions and partial artistic environment.Chapter 2concentrates on formal analysis of music.Chapter 3,Through summarization and categorization,multi-faceted detail analysis is conducted to reflect the composer's personalized tactics as well as describe and summarize the “duality” of the music temperament in the concerto.Simultaneously,it is used to confirm the dual temperament in its music and analyze the means by which the dual temperament is realized;Chapter 4,after sound perception and logical analysis,extends beyond original text,to explore messages that the source of duality temperament from the concertos.It also reveals the aesthetic interest contained in the work,and how the early aesthetic ideals of the composer were constructed.Chpter5,historical position is determined through the review of musical form of concerto.Through a historical review of the genre of concerto,it is necessary to grasp the historical positioning of the text.