The Exploration Of The Formal Language Of Printmaking In The Application Of Contemporary Oil Painting

Since the reform and opening to the outside world, fundamental changes have taken place in China's politic and economy. The transformation of society influenced the innovation of art, and various art forms has been affirmed and developed. In the tide of economic globalization, the rapid development of science and technology, new media, the rapid growth of new media involved in all aspects of the language of art, making the definition of arts blurred.China's art education is also undergoing profound changes, the traditional plastic arts gradually developed into an integration "great art" including comprehensive, new media art, design and other professional majors. The living space of contemporary engravings and paintings is squeezed by extrusion of digital images. The concept of engravings is changing as well as its existence and functions. Contemporary art, painting also shows a tendency of diversity.Under the influence of context in this age, engravings and paintings also influence each other more and more in the form, language, content, etc. The diverse forms of artistic creation of oil painting, still has strong expressive force in the field of contemporary art. As a result, many artists turned to the oil painting creation, they will put a number of factors in engraving creation into the painting form, will take engravings as a medium for multidimensional exploration to the oil painting and presents to us a new form and a way of performance.The full text according to the logical relation can be divided into three parts. The first chapter mainly discusses the influence of background factors at home and abroad and the historical background of the development of prints and paintings are expounded, including the change of domestic situation, the influence of western modern contemporary art and the development of prints and oil painting at home in that climate.The second chapter is the key of the paper which specifically analyzed the representation of the print form language in modern oil painting, discussed the condition and feasibility of this approach, including print form language itself, the condition of contemporary oil painting and the manifestation of print form language in modern oil painting. It analyzed respectively from three aspects of modeling, color and texture of prints in the specific case of oil paintings. The third chapter is mainly about the ecological analysis of the print form language used in modern oil painting, respectively from the viewpoints of painter, society and future. It is confirmed the feasibility of using this approach and innovative in oil painting.This paper set the application of prints form language to the modern oil painting as the breakthrough point, analyzed its feasibility from the domestic and international background of contemporary oil painting and the development.In Chinese contemporary art, innovation and fusion among different pictures, elements, has become a common phenomenon. The expansion of art language blurred and broadened the boundaries of different pictures. The application of print form language in modern oil painting is a form of innovation in the background of era, and the expansibility and tolerance of the oil painting language itself also reflected the thinking and efforts of artist in the era of globalization.Contemporary art is diverse, complex and our understanding of art exploring ability also constantly refreshed due to all kinds of formal language in the contemporary art. The practice of contemporary artists tells us to remember the advantages of their own painting type while following the pace of contemporary art, constantly update art concept and present a more forms of art.